Divine Quail Feather Armoire

This utterly desirable double door pagoda top armoire is covered in delicate, individually placed natural feathers. An exquisite metal ribbon opens the doors to a lavish interior gra...

This utterly desirable double door pagoda top armoire is covered in delicate, individually placed natural feathers. An exquisite metal ribbon opens the doors to a lavish interior gra...

This utterly desirable double door pagoda top armoire is covered in delicate, individually placed natural feathers. An exquisite metal ribbon opens the doors to a lavish interior gra...

There is a sense of reveal and conceal as KOKET takes a beautiful armoire in high gloss lacquer and adorns it in metal organic lace, revealing a mesmerizing hint of what lies beneath. The stunning interior opens to an antique mirror back with two glass shelves at top four drawers embellished with organic hardware finished to match the exterior. Materials & Finishes: Structure: Black Lacquer (High Gloss Finish) Structure Sides: Black Lacquer (High Gloss Finish) Door Front: Iridescent Peacock Feathers...

Walnut wood case piece.

This bookcase with storage cabinet is custom made in Los Angeles. Solid wood shelves and runners are cut to size, fitted and joined. OAK + LEATHER HARDWAX OIL FINISH CUSTOMIZE THIS P...

FAPG 19959D/2 Gothic Revival armoire New York, about 1835-1840 Mahogany, with brass hardware Measure: 104 in. high, 73 in. wide, 30 in. deep Exhibited: Hirschl & Adler Galleries, New York, 2011–12, The World of Duncan Phyfe: The Arts of New York, 1800–1847, p. 89 no. 45 illus. 89 Ex coll.: Private collection (probably R. H. Selstadt, Big Stone Gap, Virginia) Although no specific pieces of Gothic furniture documented as by Duncan Phyfe have come to light, there is considerable evidence that he, like various of his contemporaries in New York, embraced the Gothic style. For example, the catalogue of the Halliday & Jenkins auction sale of the contents of Phyfe’s furniture ware rooms, which was held on site at 192 and 194 Fulton Street, New York, on April 16 and 17, 1847, included a “mahogany centre table Gothic gilt pillar and Egyptian marble top” (Halliday & Jenkins, p. 3 no. 63); “12 mahogany Gothic chairs...

Biedermeier Armoire/Cabinet made of walnut and root wood with 2 large doors, ebonized colums and gilt fittings.