A fine late 19th century small Chiffonier by Francois Linke

A fine and rare small jewel like 19th century mahogany and gilt bronze mounted vitrine table attributed to Francois Linke . The finest gilt bronze mounts and stem base. Velvet lined.

A fine French marble and gilt bronze cocktail by Francois Linke . Fine details with a marble urn and a gilt bronze trim.

French rare 19th century cabinet. Kingwood and parquetry with fine quality gilt bronze mounts. Clock on top. Signed Francois Linke      

A very fine pair of late 19th century French Louis XVI mahogany nightstand commodes signed Francois Linke. Very fine gilt bronze details with marquetry designed tops . Several drawer...

An exquisite French early 20th century François Linke Bahut chest cabinet. Satiné frisé and satiné cube parquetry, fleur de pêcher marble top, the upper cupboard with two shelves, s...

An Exceptional Late 19th Century Louis XV Style Gilt Bronze Mounted Mahogany Vitrine By François Linke François Linke – Variant to Index no. 1552 The shaped fleur de pecher marble ...

A Unique and Palatial Late 19th Century Gilt Bronze Mounted Louis XIV Style Cabinet By François Linke François Linke – Index Number 490 The rare Baixas Breccia marble top above a b...

A unique late 19th century gilt bronze mounted parquetry cabinet by François Linke and Léon Messagé François Linke and Léon Messagé This unusual cabinet features a cube parquetry top with a back splash centered with a plume of bronze feathers and flowers, above a long single drawer with a bronze leaf-clasped scallop shell and two handles shaped as wings, the sides headed by foliate and flower-cast clasps. The cabinet was most likely made to store magazines or original phonograph records. Stamped FL under many of the bronze mounts, the lock stamped CT LINKE/PARIS Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new, Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...