Gothic Armoire

American, probably Boston or Salem, Massachusetts Miniature Serpentine Chest of Drawers, circa 1785-1800 Striped maple, ebony, and rosewood (secondary woods: mahogany), with brass dr...

Butler’s Desk and Etagére, circa 1825 New York, possibly by Duncan Phyfe Mahogany (secondary woods: mahogany, pine, poplar), with ormolu mounts, marble,...

Boston, Massachusetts Seven-drawer tall chest, circa 1825. Mahogany (secondary woods: mahogany, pine, and poplar) Measures: 45 5/8 in. high, 27 5/8 in. wide, 14 5/8 in. deep Inscribed (on six drawer locks): SECURE; (on seventh lock): CHUBB’S / PATENT / 57 St PAULS CHY / LONDON / CHUBB & SON / MAKERS TO / HER MAJESTY / 632284; (on one hinge): [BUR?] NE PATENT; (on master lock): 2 LEVER. Although some Boston furniture of the Neo-Classical period is elaborately decorated with ormolu mounts, brass moldings, and carved and gilded elements, other pieces are more simple and are said to reflect the “conservative” taste of many of Boston’s great families. The simplicity evident in these pieces is not an indication of a less-expensive line of furniture or a less-sophisticated patronage, but, like the so-called “Grecian Plain Style” of Duncan Phyfe’s furniture...

Pair Footed Fruit Coolers, about 1810-20 Stône, Coquerel, and Legros D’Anisy, Paris (active 1808–49) Porcelain, partially transfer printed in sepia and green and gilded Each, 13 1/2 in. high x 10 in. wide x 7 1/2 in. deep Signed and inscribed (on underside of one top and one base, with printed mark): STÔNE / COQUEREL / ET / LE GROS / PARIS / PAR BREVET D’INVENTION: Manufre de Décors sur Porcelaine Faience; variously inscribed with decorators’ initial in green and brown (on underside of one top and one base): M; variously inscribed with incised mark (on underside of one liner and both bottoms): 3; inscribed (in blue script, on the inside of one liner): 615 The Parisian firm of Stône, Coquerel, and Legros d'Anisy is distinguished for the important role that it played in the introduction of transfer-printed decoration on fine china in France. Although the process had been known and used in Great Britain since the eighteenth century, it was, according to Régine de Plinval de Guillebon in her book, Porcelain of Paris 1770–1850 (New York: Walker and Company, 1972), not until 1802 that Potter, Blancheron, Constant, Neppel, Cadet de Vaux & Denuelle took out a patent in France for transfer-printing on earthenware, and it was only on February 26, 1808, that John Hurford Stône, his brother-in-law, Athanase Marie Martin Coquerel, and Francois Antoine Legros d'Anisy not only took out a patent for transfer-printing on china, but also established a Stône, Coquerel, and d'Anisy partnership for the manufacture of transfer-printed ceramics. Their address from 1808 until 1818 was at 9, rue de Cadran, Paris. Prior to this, Stône and Coquerel had been partners at a creamware factory in Creil, France, and Legros d’Anisy had worked at the Sèvres factory, where he had apparently developed the transfer-printing technique for which his own firm became well known. “The process,” notes de Guillebon, was “based upon removing from the engraving a ‘pull’ made on a specially coated filter-paper, which was pressed onto the object to be decorated; this object itself was covered with a film. Firing took...

Wooden apothecary cabinet with carved decoration in neo-Gothic style. The capitals are carved with Baphomets holding two figures by the hair for one and fantastic birds for the other...

Antique French Gothic wardrobe ~ cabinet is an intriguing example of the style, with no less than 23 hand-carved linenfold panels combining with ...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite arch gothic armoire cabinet with interior mirror. The ultra rare cabinet exudes an air of luxury and ...

Spanish Gothic Style Walnut wardrobe with Five hangers and carvings The doors features heads and symbols from gentlemen of this period. The original iron hardware makes so special t...