Louis XVI Style Plum-Pudding Mahogany Bas d’Armoire, circa 1880

An 18th century Dutch neoclassical mahogany armoire with floral marquetry inlay. Dutch, circa 1770. The marquetry inlay circa 1860. The impressive and very decorative armoire ...

A very fine Louis XVI style gilt bronze mounted mahogany side cabinet with a Brèche Violette marble top, by Henry Dasson. Stamped to the top of the carcass ‘Henry Dasson’. Thi...

A Louis XVI style Canapé, upholstered with Aubusson tapestry depicting a scene from Aesop’s Fables. French, circa 1880. The small town of Aubusson, on the River Creuse in France, had a long history of producing elaborate and costly tapestries. They were known for their elegance and delicate colouring and often depicted romantic pastoral scenes derived from artists such as Boucher; historic scenes, inspired by classical mythology; or more formalized architectural vistas. Aubusson was particularly noted for its finely balanced compositions of garlands and bouquets which became famous and sought after throughout Europe. Aesop was by tradition a labourer who was a contemporary of Croesus and Peisistratus in the mid-sixth century BC in Ancient Greece. The various collections that go under the rubric "Aesop's Fables" are still taught as moral lessons and for centuries have been influential subject matter for artistic endeavour. The Shepherd Boy and the Wolf: In a village was a young boy who had a job watching the village's sheep. Two times he called out, "Wolf! Wolf!" Each time the villagers came running to help the boy. And both times the boy just laughed at the villagers and called them names. But then the wolf really did come and start eating the sheep. The boy called, "Wolf! Wolf!" but the villagers just ignored his calls. They thought he was just trying to trick them again. The wolf took his time and had a huge meal of the entire flock of sheep. The Wolf in Sheep's Clothing: Once upon a time there was a wolf who decided to disguise himself so he could get some food without working too hard. He took a sheep's skin and hung it over his body. Then he went into the sheep pasture and pretended to graze with the sheep. He fooled everyone. Even the shepherd didn't realize she had a wolf grazing with her sheep. Soon the shepherd moved the sheep into the barn and the wolf went with them. The barn door was closed and locked and the wolf was just about ready to have a nice meal when the shepherd came back. She decided she wanted some food for her meal. She grabbed the wolf who was still disguised as a sheep and killed him for her meal. The Wolf and the Crane: One day a wolf had a bone stuck in his throat. He called to a crane and hired him for a large sum of money to put her head in his mouth and remove the bone. The crane did as she was hired to do and got the bone out and then asked to be paid. The wolf just grinned and said, "Ha! You've already been paid. I let you take your head safely out of my mouth when I could have crushed you with my powerful jaws”. The Wolf and a Mountain Goat: One day a wolf looked up and saw a mountain goat eating on a ledge high up on the side of a steep mountain. The wolf called out to the goat, "You should come down here to eat, you might fall if you stay up there. And the grass is very tender down here." But the mountain goat was too smart for the wolf and called back, "I don't think you are worried about my dinner. You are just looking for your own food!" The Wolf and the Lamb...

A Louis XVI style gilt bronze and Jasperware mounted mahogany Bureau plat. Stamped 'FOURNIER' to the reverse of the bronze mount to the drawer apron. . This fine bureau plat or...

Antique French Gold Bronze Mounted Plum Pudding Mahogany 2 Door Armoire, Circa 1890-1910. Doors are mirrored with lovely curve-line beveling.

LOUIS XVI STYLE PARQUETRY-INLAID ORMOLU MOUNTED ONE-DOOR ARMOIRE Paris, France circa 1880 lock stamped "B & P Paris", back of one mount stamped "L.P." Item # 403BDA14P This exquisite Louis XVI style armoire is a picture of the high precision cabinetwork the French ébénistes of the 19th century were capable of producing. Crafted in Paris in the last years of the 19th century, the cabinet is finished on the top with an original marble top shaped to conform to the cabinet profile. This is raised by a thin crown of egg-and-dart molding over a repeating greek-key border executed in solid brass. The front door is a brilliant display of parquetry inlay work, an extraordinarily complicated arrangement that comes together flawlessly: the kingwood veneer ground is set diagonally while being bookmatched down the center to create symmetry - a form that is more fully developed in the sides of the case where these diagonal veneers are set into rectilinear and square panels for greater effect. This surrounds a rosewood and stringer-inlaid border encasing a latticework of rosewood astragals over squared lighter hue woods. The application of the veneers is so convincingly executed - note the curves of the rosewood inlays where the grain of the wood twists to create spirals that appear to layer upon one another. In the center of the door is a large ormolu mount of a Neoclassical urn with bacchus masks on either side raised over a pierced footer embellished by foliage. This door opens using only a key, as there is no knob or pull hardware to allow access to the space. The interior is a very spacious and simple arrangement that allows clothing to be hung while valuables and smalls are stored in the cupboard at the top. No keys are presently available for the door or the interior cupboard, but if locking the armoire is important than having keys fabricated is never terribly difficult and can be done by our shop upon request. The lock is marked on the inside by the fabricator "B & P Paris", while one fo the rosette mounts on the corners of the cabinet is marked "L.P." A magnificent example of Parisian craftsmanship from the late 19th century, this is a very fine armoire of ideal dimensions for both function and aesthetically. Unlike so many armoires and wardrobes...

19th Century French Louis XVI Mahogany wardrobe, the breakfront top with carved detail above a large central bevelled mirror door flanked by two narrow well-figure panelled doors. Op...

Louis XVI Style Walnut Armoire From Paris with well upholstered interior. Circa 1780. Fabulous Patina and deep rich color. Dimensions: W: 57″ D: 24″ T: 97″