Burl Wood Bar Serving Cart Cabinet Harold Schwartz Romweber

Traditionally presented at the wedding ceremony of a wealthy household, this tri-level tall storage chest (Samcheung Jang) was intimately known as “mandarin duck” cabinet in Korean. ...

Fantastic cube cityscape side table by Paul Evans for Directional, circa 1970s. Made of patchwork of burl wood with dramatic grains, in contrast with high glossy black lacquered top ...

A bespoken hand-crafted wood piece created as a wall sculpture by Don Reagan signed and dated 2002 verso. The highly featured burl was from California Buckeye...

A two-tier stacking storage cabinet on comforting stand, known as Nong in Korean, circa early 20th century (end of Joseon to Korean Empire Period). Each cabinet is fitted with a pair of paneled doors opening in the center to ample storage. The upper cabinet also has a row of four small drawers on top. The stacking cabinet directly sit directly on top of the support stand. Constructed in pine frame with exposed finger joints, they were simply finished in black lacquer on top and the sides. The facade of the cabinets, however, showcases meticulously chosen persimmon wood panels. The striking wood veneer with the bold black grains were perfectly matched in mirrored fashion. Visually arresting, the dark wood grains appear like bold strokes on an abstract ink painting. The yellow brass hardware is of relatively smaller sizes with subdued motifs in order not to overtake the beauty of the wood. They consist of drawer pulls, corner brackets, petal-form hinges and larger lock plates with cutout coin design. The interior was stripped clean showing the natural wood and some residues of old lining rice paper. We can trace the Nong cabinet on offer here to the more southern providences of the Korean Peninsula where Persimmon trees grow and were harvested, such as Jeolla Do or Chungcheong Do. The wood was beloved by Korean furniture makers in Yi dynasty and used on eye-catching pieces to emphasize the natural beauty of the wood. Examining the piece, one can see extensive and deep patina incurred from its age and previous use, yet the cabinet remains aesthetically stunning as an antique piece with an unexpected modern flare. For a similar two-tier chest with near identical configuration, size and wood used, see relic no 007182 in the collection of National Folk Museum of Korea in Seoul. The piece is also illustrated on the cover as well as page 46 of the book "Korean Antique...

Harold M. Schwatrz for Romweber burled walnut clad bar cart. Distinctive bow tie shape, external legs with hammered brass cuffs and original black rubber wheels. Doors with hand-hamm...

Fantastic mid century wood bar trolley. It was produced by Cesare Lacca in Italy during 1950s. This wonderful piece comes with two glass removable trays and an ergonomic bottle rack. The lines of this piece make it perfect for a midcentury-style dining room or bar. Born in Naples in 1929, Italian architect-designer Cesare Lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brasswork for which he is the best know and which fetch high prices from collectors. Like many Italian designers in the 20th century, Lacca moved to Milan after World War II to launch his career. Before he was even 21 years old, his work was selected by a group of American curators for inclusion in the landmark exhibition Italy at Work: Her Renaissance in Design Today that toured 12 US museums between 1950 and 1953—the first major exhibition of Italian design outside of Italy. The exhibition showcased the best and brightest of Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino , Franco Albini, and Gio Ponti In the exhibition catalogue, curator Meyric R. Roger’s spotlights Lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [Modernist] movement." Rogers adds, "The quality of his work...provide[s] all the decorative effectiveness needed without strain or exaggeration”. Lacca designed a great many tea carts and serving trolleys in his career—which make up a large proportion of what is available on the vintage market today—as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by Italian brand Cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray. Lacca also designed high-backed lounge chairs, which were regularly featured in Arredoluce advertisements for Angelo Lelli’s lighting...

Fantastic midcentury Italian serving bar cart in cherry wood, with metal finishes. This cart was designed in Italy by Cesare Lacca during the 1950s. This elegant piece has two shelves, fully made in solid cherry wood with stunning wood grains. The four metal wheels have been kept with the original patina which results in a beautiful contrast together with the wood. A lovely trolley bar cart with simple straight lines that will donate charm and elegance to your bar. Measures in cm: 47 Depth 80 Width 82 Handle Height - 61 Top shelf height - 21 Lower shelf height Born in Naples in 1929, Italian architect-designer Cesare Lacca created modernist furniture and metalwork throughout the 1950s. Though details of his personal life and professional training remain lost to history, there are sufficient surviving primary sources that document his many elegant designs in brasswork for which he is the best know and which fetch high prices from collectors. Like many Italian designers in the 20th century, Lacca moved to Milan after World War II to launch his career. Before he was even 21 years old, his work was selected by a group of American curators for inclusion in the landmark exhibition Italy at Work: Her Renaissance in Design Today that toured 12 US museums between 1950 and 1953—the first major exhibition of Italian design outside of Italy. The exhibition showcased the best and brightest of Italian designers who had embraced modernist principles and rejuvenated traditional Italian crafts, like Carlo Mollino, Franco Albini, and Gio Ponti In the exhibition catalogue, curator Meyric R. Roger’s spotlights Lacca's expert achievements in brass, noting “the variety and quality of his creations,” which “place him high among the architect-designers leading the current [Modernist] movement." Rogers adds, "The quality of his work...provide[s] all the decorative effectiveness needed without strain or exaggeration”. Lacca designed a great many tea carts and serving trolleys in his career—which make up a large proportion of what is available on the vintage market today—as well as magazine racks and coffee tables. Lacca’s most iconic tea cart was manufactured by Italian brand Cassina and features sculpted beech, cedar, teak, or walnut with brass details, a glass tabletop, and a removable glass tray. Lacca also designed high-backed lounge chairs, which were regularly featured in Arredoluce advertisements for Angelo Lelli’s lighting...

- very practical - rare type.