19th C Jamaican Mahogany Round Specimen Table, attributed to Ralph Turnbull

One of the most important early nineteenth century specimen hardstone table tops ever created, with 373 specimens, mounted on a beautifully designed and constructed base by Gillow. ...

A beautifully detailed and striking piece. A Mid-19th century veneered centre table, with a profusely inlaid top which incorporates many exotic tropical hardwoods. The table top i...

Pietra Paesina is one of the most scarce and wondrous stones on earth, and the surface of this exceptional early 19th-century center table is inset with...

A stunning and extremely high quality French 19th century Louis XVI style mahogany, ormolu and vert campan marble side/center table, after a model by Adam Weisweiler and attributed to Henry Dasson. The table is raised by fine topie shaped feet with elegant circular tapered supports. Each leg displays a unique square tapered shape with a carved recessed design and elegant foliate ormolu movements which encase the leg. Each are connected by a fine mahogany stretcher with elegant beaded ormolu bands and a lovely central floral reserve. Above are impressive richly chased caryatids with lovely flowing drape and tied hair below intricately detailed floral baskets. The straight frieze displays a recessed panel framed in a fine mottled ormolu band. The frieze is centered by a charming and richly chased pierced ormolu mount with a central floral bouquet and crossed staff...

A William IV Period Mahogany Centre Table Attributed to Gillows Constructed from a flamed Honduras Mahogany, book-matched with great effect on the top; the table supported on an inc...

• One of the finest pieces of 19th century English furniture ever made • Firmly attributed to the Royal cabinetmaker, Holland & Sons • Made using stunning rare & exotic timbers, Th...

This very fine table made in Rome in the very late 19th or early 20th century is of dramatic design and using costly material. The base carved from solid travertine is in a Renaissan...

A magnificent library table Attributed to Jackson & Graham Of free standing rectangular form, constructed in coromandel, with inlays in thuya, ebony, boxwood, and honeysuckle; the fluted legs rising from square brass castor-shod feet; the frieze housing two lockable drawers fitted with rare ‘tamper proof’ Chubb locks and having quadrant moulded cedar lined interiors; the platform having a central panel of beautifully chosen matched coromandel veneers, with an outer guard border of a running pattern of stylised anthemions; the ebony edges having a thumb nail moulding, circa 1865 The firm of Jackson & Graham established in 1836 by Thomas Jackson and Peter Graham at 37 Oxford Street London, and for the next fifty years produced predominately high quality furniture and represented Britain at many of the international exhibitions. Their clients included Queen Victoria, Napoleon III, the Grand Khedive of Cairo and the royal palace in Siam. They were particularly noted for their fine marquetry work, the use of Wedgwood plaques, rare woods, and fine casting of bronze mounts. They engaged the leading designers of the period, inter alia, Owen Jones, Bruce Talbert, Alfred Lorimer and Eugene Prignot. In the mid-1850s the workforce was recorded as 250, and by 1875, the company was employing 600 workers. They were feted exhibitors at many of the Great Exhibitions of the 19th century, and frequent prize winners. At the Paris International Exhibition of 1878, the furniture jury noted of them ‘ the workmanship is so perfect that even with the aid of a magnifying glass scarcely the slightest imperfection is to be found’. In 1885 the company was absorbed by Collinson and Lock, who continued their standard of excellence. Charles Chubb was apprenticed as a blacksmith before starting business as a ships’ ironmonger in Winchester. Jeremiah soon joined the business, and by 1818 the brothers had branched out into lockmaking, founding the famous Chubb Company. The business really got started when Jeremiah Chubb patented his new ‘detector lock’ in 1818. The lock was constructed so that if someone tried to pick it or open it with the wrong key it became inoperable. To make the lock work again the owner had to use a special key supplied with the lock. The aim of the detector lock was to prevent burglaries, and to warn the owner that someone had tried to break into their property. The lock soon became popular, and sales of the Chubbs’ products increased even more when they won a government competition to design a lock that could only be opened using its own key. After the invention of the detector lock, the Chubbs decided to move to Wolverhampton, which already had an established lock making industry. By 1838 they were making 28,000 locks a year at their Wolverhampton factory. Another product was added to the Chubb range in 1835 when a patent was taken out for a burglar resistant safe, and in 1837 the Chubb safe...

Step into a world of Italian mid-century elegance with this exquisite dining table, attributed to the master craftsman Paolo Buffa. This rare piece from the 1950s is more than just a...

A magnificent 19th century French hand-carved chinoiserie style mahogany center-table with mother-of-pearl inlaid marquetry top attributed to Gabriel Viardot. This magnificent mahogany table has been hand-carved with Chinese chinoiserie decor depicting chinoiserie figures holding umbrellas and other Chinese motif inlaid. Around the edges of the rectangular table is magnificently detailed and adorned open wood work, which gives the piece a different dimension of class and elegance. The top of the table is beautifully designed with a mother-of-pearl inlaid marquetry. Tinted wood table with rectangular tray with Asian decor inlaid with mother-of-pearl depicting peaches and beauties holding umbrellas. The carved openwork crosses of Chinese motifs rests on four magnificently carved curved legs with lions feet holding up the table. Found at the top of each leg are beautifully chased doré bronze mounts depicting foo dog masks. France, circa 1890. Gabriel Viardot is a famous Parisian cabinetmaker who inherited the family factory in around 1860. He manufactured carved wood furniture...