19th Century Parquetry Centre Table in the Louis XVI Manner by François Linke

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

A Tour de Force table Vitrine in the Louis XVI Manner by Alfred-Emmanuel-Louis Beurdeley, of Paris Of free-standing form, constructed in a finely patinated fruit wood, adorned with ...

A fine quality astrological centre table firmly attributed to Maple & Co Constructed in very finely figured mahogany and satinwood, and having marquetry inlay of superior quality...

An Ormolu-mounted and mahogany parquetry cabinet by François Linke Constructed in the Louis XV transitional manner, in mahogany parquetry work, and dressed with ormolu mounts of ...

A Fine Louis XVI Style Patinated and Gilt-Bronze Mounted Centre Table, After The Fontainebleau Model, By François Linke. This fine table has a circular top of burr-thuya wood banded...

‘Table des Muses’ A Fine Louis XVI Style Gilt-Bronze Mounted Amaranth, Bois Satiné and Sycamore Marquetry Centre Table, By François Linke, After The Model By Jean-Henri Riesener. I...

A Rare Belle Epoque Gilt-Bronze Mounted Parquetry Inlaid Centre Table, By François Linke. The Mounts Designed by Léon Messagé. Signed 'F. Linke'. This opulent centre table has a beautifully patterned onyx top inset within a gilt-bronze moulded surround signed 'F. Linke'. The curved frieze centred to each side by a shell shaped mount. The front fitted with a central drawer. The apron mounted with swept acanthus and trailing hibiscus. The corners with female busts with ribbon-tied bodices. On cabriole legs. France, Circa 1900. Linke, François François Linke (1855 - 1946) was the most important Parisian cabinet...

A fine Louis XVI style mahogany and marquetry centre table with gilt bronze mounts attributed to François Linke. French, circa 1890. This fine marquetry table has a frieze with...