Biedermeier Centre Table, Austria, circa 1830

An exceptional, circa 1820 English Regency period mahogany tilt-top table of unusual form having solid single-timber rectangular top with line-inlaid brass border and reeded edge upo...

An exceptional circa 1820 English regency period rectangular-form writing or occasional table attributed to Gillows having brass bound cusped-corner top with ebony line inlay and satinwood feather-banding surrounding center field of bookmatched amboyna, the double elliptical high arched stretchers joining gilt-brass-mounted end supports having turned calamander spindles and braces issuing turned finials between ebony downswept legs ending in acanthus-leaf-cast brass casters. Several 'spindle end' writing tables were featured in the 'Gillows Estimate Sketch Book' of 1818, and a table of similar end supports stamped GILLOWS LANCASTER is illustrated in Susan Stuart's 'Gillows of Lancaster and London 1730-1840', Vol. I., Woodbridge: Antique Collectors’ Club, 2008. pl. 329, p. 301, stating "a table frame with spindle ends was supplied in the 1820s by Gillows of London to display marble brought back from the Grand Tour by the Tempests of Broughton Hall...

Circa 1835 Anglo-Indian Regency style solid mahogany occasional table or stand having square tilting top with gadrooned edge on reed-carved and turned pedestal on tripart cusped-conc...

An attractive pair of circa 1820 Bavarian Biedermeier side chairs of large scale having walnut frames, the curved crestrails with center penwork acanthus lozenges and shaped backspla...

A Very Fine George IV Parcel-Gilt Amboyna Centre Table Attributed to Thomas & George Seddon. English, Circa 1830. The table is of finely figured Amboyna with a circular tilt-top above a triform column with parcel-gilt scrolled supports. It is raised on a conforming plinth base with foliate carved feet and concealed castors. George Seddon was the eighth child of John Seddon of Blakelea, Lancashire. His father apprenticed him to George Clemaphon of Cripplegate to learn cabinet making. He became a master cabinet maker. (He was Master of the Joiner’s Company in 1795). In the early 1750s he was sufficiently successful to acquire London House, Aldersgate Street. It consisted of extensive workshops, where furniture was made, and showrooms to display the finished products. London House had formerly been a palace of the Bishops of London. The panelled state-rooms were ideal for the display of fashionable furniture; and the chapel and library made convenient workshops. When Seddon married, he converted the garden house and infirmary into the family home. Seddon was the biggest furniture maker of his time. His furniture store covered a two acre site in Aldersgate Street. His workshop there was described by London visitor Sophie v. La Roche in 1786: "We drove first to Mr. Seddon's, a cabinet-maker,...He employs four hundred apprentices on any work connected with the making of household furniture—joiners, carvers, gilders...

Biedermeier Mahogany Centre Table, Workshop of Johannes Klinckerfuss, 1830 Mahogany veneered with lightwood banding, with gabled frieze, on three scrolled legs and a trefoil base. ...

We are delighted to offer for sale this exquisite antique circa 1830 William IV Rosewood centre table A very good looking and well made antique centre table. This piece is as good and honest as they come, it has the original finish hence some light marks to the top, I can have it restored by my French polisher for the cost price, I have left it as it is because some like to see antiques in their original state first The feet are ornately carved Lion...

Biedermeier salon table resting on a trefoil base with stylized volute forms and S-shaped braces that rise toward the octagonal central column. The round tabletop features a smooth a...