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Bruno Munari, Tavolino modello 'Biplano', prodotto da Robots Milano, 1972
$2,742.26
£2,031.60
€2,300
CA$3,756.75
A$4,168.43
CHF 2,183.52
MX$51,116.20
NOK 27,773.57
SEK 26,217.06
DKK 17,495.59
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About the Item
Questo iconico tavolino "Biplano", disegnato da Bruno Munari per Robots a Milano nel 1972, è un perfetto esempio di design minimalista e lungimirante. La struttura in tubolare metallico laccato nero poggia su ruote girevoli e sostiene due eleganti ripiani in vetro nero fumé. Ciò che distingue questo tavolo è il suo design innovativo: rimuovendo i ripiani in vetro, la struttura può essere ripiegata, rendendola facile da riporre e occupando uno spazio minimo. Con le sue linee pulite e l'estetica funzionale, il tavolino "Biplano" esemplifica l'approccio pionieristico di Munari al design italiano degli anni Settanta. Un vero classico, questo pezzo continua a riflettere lo stile all'avanguardia dell'epoca, in netto anticipo sui tempi.
- Creator:Bruno Munari (Designer)
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)Depth: 19.69 in (50 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1972
- Condition:Wear consistent with age and use.
- Seller Location:Firenze, IT
- Reference Number:1stDibs: LU9510245240372
Bruno Munari
In his prolific career, Bruno Munari was known for various contributions to art, industrial design, film, architecture, art theory, and technology. Munari’s principles and beliefs were built upon his early involvement in the Futurist movement, which he joined at the age of 19 using the pseudonym “Bum.” During the 1930s, Munari began to move towards Constructivism, particularly with his kinetic sculptures, Useless Machines (begun 1933), meant to transform or complicate their surrounding environments. Throughout his career, Munari was captivated by both a sense of whimsy and the manipulation of artificial light. After World War II, Munari also developed radical innovation in graphics, typography, and book publishing, through the latter creating pieces he would call Useless Books.
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