Column Table by Otto Zapf for Zapf Moebel in Design, 1967

Represented by Tuleste Factory This spacious table is built on two pillars, each one shaped by the soft curves of inverted flutes, mimicking a gateway with an open and inviting for...

The Townhaus green contemporary table for SoShiro by Interni Design Studio makes for an eye-catching sculptural centerpiece for any dining room as w...

“Exquisite melting silken tints, veined roses and pale violets, like the draperies of Veronese, golden orange, yellows, vinous and intense, like Titian’s simarres … undulate, conflict, and lose themselves under the innumerable flaming darts descending from above at every discharge of the sun’s rays.” Hippolyte Taine, Italy Turning identity. An object and its infinite possibilities; unique and unmistakeable, while at the same time constantly different. Like the lagoon landscape, in its infinite nuances of luminous reflections, glare and iridescent colours, the table designed by frattinifrilli – Milanese designer Davide Frattini Frilli – reveals itself to be a piece of furniture with an unmistakeable identity, which simultaneously expresses numerous aspects of its identity. In TURNO, a tabletop with an imposing personality – solid, and at the same time lightweight, entirely similar to a solid sculpture...

Table with etched grindstone base and marble top by Giulio Lazzotti for Mageia. Made in Italy circa 1981. The name of the town where Giulio Lazzotti lives and works, Pietrasanta, can be alternately translated as Saint Peter or “holy stone,” the latter being wholly appropriate for a designer and architect whose work in marble, metal and wood takes on a serene, sculptural presence. Lazzotti was educated at the prestigious University of Florence, where he later returned to teach architecture. Since 1975, Lazzotti has maintained a diverse practice encompassing architecture, interior design and furniture design, winning such awards as first prize for Design at the Moving Fair of Paris, the Torre Guinigi prize in Lucca for Urban Design for the historical center of Pietrasanta, a top ten in the International Chair Fair at Udine and, most recently, the Good Design prize from the Japan Industrial Design Promotion Organization. Following in the tradition of classic Italian sculptors and craftsman, Lazzotti’s furniture is produced with an artisan’s eye for material nuance and imbued with modernist simplicity. Internationally recognized for his work with stone, Lazzotti has organized symposia on the material and taught courses like “Design in Marble” at the Academy of Fine Arts in Carrara, Italy (home to the famous white carrara marble quarries). Lazzotti has worked with many international companies, including Iveco, The Conran Shop...

A wooden top supported by steel arches: these are the pure and essential elements of Archie table, designed by Serena Confalonieri for Medulum. The dynamic and light base is inspired...

The flow of the water, from the source to the city, and the effect of time over the course of the centuries: the Roman aqueduct captured in its majesti...

A wooden top supported by steel arches: these are the pure and essential elements of Archie table, designed by Serena Confalonieri for Medulum. The dynamic and light base is inspired...

A vast, mirror-like expanse, the waters of the Venetian lagoon come to life with the passage of vessels, taking on chromatic mutations and luminous wrinkles in a continuous reflection which brings its surface to life. In VARIATIONS, the piece of furniture designed for the brand by NAESSI STUDIO – the Roman design duo Eleonora Carbone and Alessandro D’Angeli...

A wooden top supported by steel arches: these are the pure and essential elements of Archie table, designed by Serena Confalonieri for Medulum. The dynamic and light base is inspired...

This dining table was designed by Vittorio Dassi in Italy in the 1950s. The table frame is made of rosewood and an antique pink glass top is set i...