Exhibition Quality Centre Table by Holland & Sons

A very fine and substantial centre table in the Louis XVI in the Manner of Holland & Sons Of exceptional quality, utilising beautifully grained woods, including Circassian walnut,...

A fine Marquetry centre table by James Plucknett of Warwick Of rectangular bow ended form, constructed in satinwood, and inlaid with specimen wood marquetry work on the platform; rising from toupie feet, the four finely carved caryatid female supports have a conjoined stylised 'X' form stretcher with a dished bowl at the centre; the apron housing a series of foliate carved entablatures, and the platform extensively inlaid with neoclassical designs of trophies, and floral arabesques. Bearing a label underneath the platform with the makers' name, circa 1890. James Plucknett, having had various partners in his company, operated as a sole trader from 1886-1905, the year of his death. He advertised his work as 'manufacturers of rich carved furniture', trading as 'James Plucknett & Co Art Furniture Manufacturers'. His commissions included The Royal Pavilion for the Royal Warwick...

A superb centre table in the Louis XVI manner. Of free standing elliptical form, the mahogany frame richly decorated with finely cast and chased ormolu, and having a thumbnail mol...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...

An Antique Shaped Centre Table by Gillows Constructed in Circassian walnut, with specimen woods inlays, and gilt metal adornments; rising from a castor sho...

A Louis XVI style parquetry centre table firmly attributed to François Linke Constructed in Kingwood, Tulipwood and Mahogany, with foliate inlay work, parquetry and Fine ormolu b...

A very fine 19th century Satinwood centre table by Holland & Sons. The table is of finely figured Satinwood with a circular tilt-top above a baluster column with three S-scroll and l...

• One of the finest pieces of 19th century English furniture ever made • Firmly attributed to the Royal cabinetmaker, Holland & Sons • Made using stunning rare & exotic timbers, Th...

A very good quality 19th century Amboyna center table, with Wedgwood porcelain plaques depicting classical scenes, having parcel gilt decoration and ormolu mounts and raised on a fou...

A fine quality Victorian period Burr Walnut centre table, with Tulip wood inlaid cross banding, raised on a tripod base with gilded ormolu mounts and mouldings. In the manner of Holl...

A fine early Victorian amboyna centre table by Taprell and Holland & Sons, the circular top set on a gadrooned baluster support terminating in pet...

This exhibition quality table is attributed to Holland and Sons. The octagonal top is supported by four turned knopped legs, all joint by a solid shaped stretcher centred on an urn. ...