French Art Deco Center Table in Walnut Veneer, 1930

Very beautiful French round table glass smoked brass, the base mahogany veneered is made of three brass bases imitating elephant tusks. Glass diameter 1m20, table height 80 and bas...

This splendid and rare large furniture piece includes three doors with engraved signed keys from the artist Gaston Poisson, “GP”. This circa 1937 cabinet is made of green lacquered* mahogany and contains 12 interior shelves (three doors each with 4 shelves), each shelf featuring beautiful marquetry detail. The centerpiece of this beautiful cabinet is the large exterior mirror by Robert Pansart. This is made of "églomisé" glass with a polychrome geometric ribbon-like decor. Églomisé glass is a technique used often for mirrors that creates intricate decoration using golden leaves and silver. *THE LACQUER IS NOT ORIGINAL, THE CABINET HAS BEEN REFINISHED LATE 20 CENTURY Gaston Poisson, a cabinetmaker from Lille, France, is a renowned Renaissance designer best known for his modernist work. He has a unique taste for pure clean lines, mostly from the 1950s-1960s, which is exemplified in this particular piece. The square and diagonal motifs visible on the facade of the cabinet as well as the ornate marquetry on the interior shelves show that this piece was highly specialized, a well thought out piece made with incredible care. Robert Pansart is a French glassmaker and decorator who specialized in his unique technique of etching and oxidizing with “églomisé” glass. One of the most highly regarded glassmakers of his time, he mainly worked from post war years to the 1960s, and his work is reminiscent of a world based on fairy tales – evocative of the 1940s-1950s taste. His mirrors tend to appear in the antique art market and are valued as highly collectible pieces. Pansart mirrors were auctioned at very high prices at auctions at Artcurial and other major auction houses (see the last picture) Different works of the artist: Berliz Cinema in Paris Municipal Theater of Poitiers (see last picture) Theater of the Paquebot France

The term Art Deco appeared in the 1960s in reference to the International Exhibition of Decorative and Industrial Modern Arts organized in Paris in 1925 which marked the consecration...

The term Art Deco appeared in the 1960s in reference to the International Exhibition of Decorative and Industrial Modern Arts organized in Paris in 1925 which marked the consecration...

Exceptional and very rare handcut table lamp is in a clear and rich ruby red color double-layered crystal, it is a piece who required time for her shaping, outline, engrave and notch...

Jacqueline SUZOR de PANAFIEU (1903 – 1981) Numbered vase signed J. Suzor, circa 1970 geometric pattern, in Art Deco's style, cracked ceramic, creation Desert Occidental, collection "Rouge-Gorge" "Hand made in France, Faiencerie des Recollets". White craqueling glazed, very beautiful pattern and bright colors. Superb vintage condition, no repairs. Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter. From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction. Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president. MAIN EXHIBITIONS : 1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP). 1961 - Salon Comparaisons. 1962 - Gallery Hoche, Paris. 1970 - Town hall of Montrouge. M.J.C., Montreuil. Athanor Gallery, Pana Interior Museum, le Véşinet...

Art Deco gueridon center table by Jules Leleu, France, 1930. Mahogany wood, marquetry. 4 floral golden details. 4 brass feet sabots. Fully restored. High gloss laquor, hand pol...

1930 French work, Art Deco walnut veneer gueridon.  

Gueridon Art Deco in walnut veneer and sycamore veneer, circa 1930.

Art Deco tripod pedestal table, base in blond mahogany, tray in sycamore marquetry arranged in sun. France, circa 1950. In the taste of Leleu.

Circular marquetry inlaid top raised on a fluted standard resting on a tripartite base with slightly under scrolled feet.

French center table. Probably model of the cabinetmaker Jacob-Desmalter. With gilt bronzes an Belgian granite top. Early 19th century.