George Faulkner Armitage. An Aesthetic Movement Octagonal Mahogany Center Table

In the style of Edward William Godwin. A fine quality rare Anglo-Japanese flame mahogany octagonal centre table, on four tapering legs, united by an Anglo Japanese fretwork cross st...

A continental walnut octagonal center table with drawers, circa 1900, in the manner of Henry Van der Velde, the leather inset top with border tramlines, ...

Gillows attributed, in the style of H W Batley. An Aesthetic Movement octagonal Mahogany eight leg centre table with shaped supports below the top and four ...

E W Godwin, attributed Collinson and Lock. A fine Anglo Japanese rosewood octagonal eight leg side table with carved scroll work below the top and Japanese fretwork gallery around the lower shelf, stood on turned and square splayed legs. Later paper depository label under top. Collinson and Lock of London 'Art Furnishers', founded with the partnership of F.G. Collinson and G.J. Lock, former employees of Jackson and Graham. Designers employed by the firm included T.E. Collcutt, the architect of their premises; E.W. Godwin, who was paid a retainer to produce exclusive designs for the company from 1872 to 1874, H.W. Batley and Stephen Webb...

George III style mahogany table with fret-carved gallery , raised on reeded and turned pedestal and tripod legs. stamped HG Plomer. ...

Antique Italian Baroque Style Finely Carved Ornate Mahogany Octagonal Center/Library Table This exquisite antique Italian Baroque style octagonal center/library table showcases fine...

An early 19th century Regency period rosewood breakfast table, having burr elm crossbanded octagonal top stamped S. Jamar, supported on triangular tapering column raised on triform p...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...