An important Restauration period ormolu Gueridon, c. 1820, Attributed to Thomire

Standing on a trefoil base, and scrolling foot, the plate-glass circular top stands on three curved supports carved as stylised feathers, braced at the top by an annular band. This is a highly unusual form but has much in common with other Pistono pieces we have seen. Louis Pistono...

Regency solid mahogany tilt-top eight lobes and dished supper table, shell forms separating each lobe, raised on turned column over four ribbed down swept legs terminating in brass h...

This imposing table is based on the celebrated example made for Marshal Murat, subsequently used by Napoleon and now in the Grand Trianon at Versailles. Supported by four draped caryatids, the striking Nero Antico marble above and heavy H frame cross...

Louis Philippe period mahogany center table with original shaped conforming marble top, with beaded frieze, raised on turned, beaded and gadrooned urn-form pedestal, on acanthus car...

This is a rare and superb survival. Not merely do we have this intricately inlaid parquetry top, resplendent with various coloured marbles, but we even have the original walnut cente...

An Important pair of George III giltwood pedestals, each boldly carved with three supporting legs surrounding a serpent-entwined central column ,on trefoil platform base raised on ...

Beautiful Restauration French Gueridon made in mahogany and marquetry. This marble named "Brecht" is recognized by its different forms and colors of marble.

A Charles X period veneered wood center table resting on a central foot ended with three imposing claw-feet. The base and the belt of the table are adorned with wood marquetry decoration showing palms...

Elaborate French restauration period Table, 1820, mahogany veneer with grey, original marble top. In good condition. The table will be shipped from Germany, shipping costs to Boston ...

A similar model was exposed at the 1889 Paris Universal Exhibition ( see picture attached) Patinated and gilded bronze gueridon with four paw feet joined by X-shaped stems, attributed to Sévin and Barbedienne. Round green marble top mounted with a bronze rim adorned with oves and pearls motif. Born in 1821 and dead in Paris in 1888, Louis-Constant Sévin was apprenticed to the parisian sculptor Marneuf. In 1839, he joined the sculptor-modelors Phénix and Joyau, as designer, and designed silver-smith’s objects for famous firms like Denière, Froment-Meurice, Morel and Duponchel. During the Revolution in 1848, C. Sévin joined Morel in London, as workshop manager and designed pieces that Morel exhibited in 1851. Back in France in 1851, C. Sévin went to Limoges and designed models for the porcelain factories of Jouhanneaud and Dubois of which many pieces were exhibited at the Universal Exhibition in 1855. From this date on, he worked for Ferdinand Barbedienne as sculptor-ornemanist until the end of his life. Sévin’s works are considerable, he designed furniture bronzes for the « hôtel de La Païva ». At the London Exhibition in 1862, he was awarded a medal « pour l’excellence artistique des meubles qu’il a dessinés et qui sont exposés par Barbedienne » : for the artistic excellence of the furniture he designed and which is exhibited by F. Barbedienne. He won a second class medal at the Union centrale des Arts décoratifs Exhibition in 1863 and was awarded a gold medal as « cooperator ». F. Barbedienne said that posterity would remember Sévin’s compositions. The most extraordinary object designed by C. Sévin for F. Barbedienne, was a Renaissance style gilded bronze monumental clock...

Three legs and very realistic and ornate, this patinated bronze rope and tassel-like table base has beautiful proportion.

A stunning and extremely high quality French 19th century Louis XVI style mahogany, ormolu and vert campan marble side/center table, after a model by Adam Weisweiler and attributed to Henry Dasson. The table is raised by fine topie shaped feet with elegant circular tapered supports. Each leg displays a unique square tapered shape with a carved recessed design and elegant foliate ormolu movements which encase the leg. Each are connected by a fine mahogany stretcher with elegant beaded ormolu bands and a lovely central floral reserve. Above are impressive richly chased caryatids with lovely flowing drape and tied hair below intricately detailed floral baskets. The straight frieze displays a recessed panel framed in a fine mottled ormolu band. The frieze is centered by a charming and richly chased pierced ormolu mount with a central floral bouquet and crossed staff...