Rare Early 19th Century Scandinavian Burr Root Maple Drum Table

A rare and finely constructed circular satinwood centre table most probably by Henry Thomas Peters of Genoa. Italy Circa 1830. The circular tilt top having a finely chosen cuts of book-matched West Indian satinwood veneer with a rosewood banded and moulded edge over a splayed in-curved quatroform base, terminating on four acanthus carved scrolled rosewood lions paw feet raised on brass castors. A very fine table with wide cuts of satinwood which would have been extremely expensive in the early 19th Century. Inspired by the French Empire design as viewed through the lens of English Regency, in particular the designs of Thomas Hope of 1807, along with the construction all point to Henry Thomas Peters being the maker, active in Genova around 1820 to 1850, being one of the leading cabinet makers of the period obtaining the title of ‘cabinetmaker of his Majesty’. Henry Thomas Peters’ English antecedents remain obscure although he probably began his career in England. However, he is not listed in Beard and Gilbert’s Dictionary of English Furniture Makers 1660-1840. He arrived in Genoa in circa 1817, and by 1824 had established a workshop in Via Balbi, a neighbourhood in which the Royal Palace and other noble residences were located; today some of his works are preserved in the Palazzo Rosso, Genoa and were probably bequests from the various aristocratic families for whom he worked, including the Brignole Sale family. Peters was appointed by the Court of Savoy and produced furniture for their palaces in Turin, Genoa and Racconigi including the Palazzo Reale. Notably, in 1841, furniture for the wedding of Prince Vittorio Emanuele. In 1846, Peters and his extensive workshop won the silver medal at the Esposizione dei Prodotti e delle Manifatture Nazionali. As pointed out Peters was famed for producing furniture with the technical accuracy typical of English but adapted to the late Italian Empire style. A set of six Italian Giltwood...

He moulded oblong top lacquered on a red ground decorated in the chinoiserie manner with Chinese figures at a lakeside above a shallow frieze painted with prunus and diaper on slender square tapering legs. Chinoiserie has influenced European furniture styles since the 17th Century and never really fallen out of fashion. Japanning had a surge in popularity in the 1820’s due the extensive use of chinoiserie and orientalist used by the Prince Regent...

An unusual Mid 20th Century brass mounted root wood coffee table with oval glass top. French circa 1970 A well designed root coffee table with an unusual shaped brass hammered ...

An extremely fine octagonal carved Anglo Indian ebony centre table with specimen inlaid top Ceylonese circa 1840 This outstanding specimen table exhibits all the best characte...

Late 19th- early 20th century Ceylonese ( British Colonial / Anglo Indian ) bone inlaid specimen table from British Ceylon (modern day Sri Lanka).

A Northern European table from around the year 1800. Veneered with root wood and featuring a solid wood leg frame. The table includes a drawer that opens with a key. The surface of t...

This West Indies center table has an English influence. This piece is published in " West Indian Antique Furniture of the Lesser Antilles...

Fashionable South German Biedermeier cherry-veneer and ebonized work table / sewing table. Round cherry-veneered top surrounded by ebonized ring with a hinged door to access the green silk basket enclosed with in solid cherry lattice work. The legs are solid cherry with ebonized highlights. The table is published in "Biedermeier" by Angus Wilkie on page 29.