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Ado Chale Black Resin Coffee Table Inlayed with Malachite
About the Item
Ado Chale, coffee table, resin, malachite, lacquered steel, Belgium, circa 1975
This coffee table, in black resin and inlayed malachite, is a beautiful work by the Belgian autodidact artist Ado Chale, dating back to around 1975. The design stands as a testament to his use of precious materials and impeccable craftsmanship. Drawing inspiration from the natural world, Chale's artistic vision transcends mere aesthetics, incorporating the very essence of nature into his creations. A significant portion of his body of work comprises objects and furniture adorned with semi-precious stones and rare materials, endowing each piece with an enigmatic and refined allure.
The table features a rectangular top in black resin with one side of the surface inlayed with strikingly green malachite, a semi-precious gemstone that Chale transformed into a mesmerizing mosaic. Meticulously reworked and thoughtfully placed, the stones are casted in epoxy resin, wherein polished to achieve a smooth, lustrous texture. The stones showcase an array of green hues, each embracing its unique grain pattern. Each stone is arranged in an organic, irregular manner, drawing the viewer's gaze to the vibrant surface. The table’s sturdy black legs provide essential support, yet their unassuming presence subtly shift the viewer’s attention to the decorative top. This juxtaposition underscores a hallmark of Chale’s tables: while the top embraces uniqueness and individuality, the legs maintain a consistent design. The base is characterized by two large, rectangular columns connected by equally substantial horizontal supports. All in, this piece epitomizes Chale's approach to furniture-making – a master craftsman infusing his creations with an aura of exclusivity and exceptional artisanship.
Biography
Ado Chale, the Belgium-based artist born as Adolphe Pelsener in Brussels in 1928, embarked on a journey that blended his expertise in mineralogy and blacksmithing with his innate creativity. In 1960, alongside his wife Huguette Schaal (1929-2011), a gemologist, he established a boutique in Brussels named "Chale". Here, he showcased extensive collections of precious minerals while delving into the art of crafting decorative jewelry and tabletops using semi-precious stones and rare materials. Rather than merely designing, Chale approached furniture-making with the precision of a craftsman, infusing each piece with an aura of exclusivity. Together, Ado Chale and his wife traveled the world in pursuit of the search of rare materials, like turquoise, malachite, amethyst, and agate, but also petrified wood and ivory, to name just a few, spanning continents such as Europe, North America, Africa, and Asia.
Throughout his 50-year career, Chale crafted a myriad of bespoke interior objects, establishing himself among the forefront of interior decorators who emerged during the 1960s. Designers such as Gabriella Crespi (1922-2017) and Maria Pergay (1930-2023) contributed to the creation of exclusive interior objects that blurred the lines between fine and applied art, infusing 20th-century interiors with a heightened sense of glamour and spectacle.
Central to Chale's oeuvre are his meticulously crafted tables adorned with gemstones, employing a self-developed technique akin to mosaic and terrazzo. In this case, the materials undergo meticulous reworking before being cast in epoxy resin, after which the entire piece is polished and finalized. At a later stage, he also includes solid cast metal like aluminum and bronze. His creations, radiant and refined, epitomize exclusivity, as he delicately employs rare and delicate materials to craft singular masterpieces.
Chale's body of work has garnered widespread acclaim, with his pieces gracing prestigious museums, to private and public spaces alike. Chale's creations have captivated discerning clientele, including members of global aristocracies and esteemed fashion houses such as Chanel, Dior, Hermès, and Louis Vuitton. By consistently pursuing innovation and employing precious materials adeptly, Ado Chale’s work has left an indelible mark on the world of craftsmanship, transcending mere furniture art or design to create timeless treasures that represent a painstaking and irreplicable work of craftsmanship.
Kindly note that this tabletop is handmade and inlaid with semi-precious stones. As such, it is not perfectly straight. This table is a unique creation, crafted as a decorative masterpiece.
- Creator:Ado Chale (Designer)
- Dimensions:Height: 14.57 in (37 cm)Width: 51.19 in (130 cm)Depth: 23.43 in (59.5 cm)
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1975
- Condition:Wear consistent with age and use. Every item Morentz offers is checked by our team of 30 craftspeople in our in-house workshop. Special restoration or reupholstery requests can be done. Check ‘About the item’ or ask our design specialists for detailed information on the condition.
- Seller Location:Waalwijk, NL
- Reference Number:Seller: 501170311stDibs: LU933144042452
Ado Chale
Known to some as “the alchemist of high minerals,” Ado Chale uses semi-precious stones, metals and organic materials like fossilized sequoia and redwoods in his marvelous tables and decorative objects. Over the course of his long career, the prolific Belgian designer, sculptor and decorator turned a passion for mineralogy and love for the natural world into elegant, sculptural furniture.
Born Adolphe Pelsener in Brussels in 1928, the designer learned cabinetry from his woodworker father and trained in ironwork at a young age under local blacksmiths. During a trip to Germany in the late 1950s, he became enamored with minerals, and turned his attention to creating seating, tables and other furnishings with a range of unconventional materials.
At the beginning of the 1960s, Pelsener changed his name to Ado Chale and opened a gallery in Brussels with his wife, a gemologist named Huguette Schaal. He began to create sophisticated mosaic inlays for tabletops using pyrite fragments. He worked with malachite and turquoise and also worked in metal, producing decorative objects and furniture like his iconic aluminum goutte d’eau coffee tables. Chale used epoxy resin to lend his tables an opulent sheen. His incorporation of exquisite natural materials like agate and petrified wood rendered his furniture unlike anything else. Chale’s work was soon in high demand — his clientele included the Belgian royal family and notable architects and designers like Alberto Pinto, Peter Marino and Jacques Grange.
In 1967, Chale’s designs were included in the Universal Exhibition in Montreal. In the decades since, he has continued to exhibit his work, including at the Bozar Centre for Fine Arts in Brussels in 2017.
On 1stDibs, find a range of vintage Ado Chale tables, lighting and more.
About the Seller
4.9
Established in 2006, Morentz has a team of approximately 55 restorers, upholsterers, interior advisers and art historians, making it a gallery, workshop and upholstery studio, all in one. Every day, a carefully selected array of 20th-century furniture arrives from all over the world at the firm’s warehouse, where the team thoroughly examines each piece to determine what, if any, work needs to be done. Whether that means new upholstery or a complete restoration, Morentz's aim is always to honor the designer’s intention while fulfilling the wishes of the client. The team is up to any challenge, from restoring a single piece to its original glory to furnishing a large-scale hotel project.
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Son of a woodworker, Ado Chale spent his formative years in the Belgian countryside and began working with metal at a young age, training initially as an iron-worker. In the 1950s, he began working with sheet metal on which he would test various methods of printing with enamel. However, it was on a trip to Germany that he found his true passion: mineralogy. Stones, precious and semi-precious as well as fossils and other natural minerals, became the focal point of his self-taught artistic path.
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Noticing the transformation of certain stones when lit from a certain angle, Chale aimed to demonstrate the delicate details that remained hidden without this illumination. With this objective in mind, he began integrating lighting systems beneath the mosaic tops of his coffee tables, a rare technique of which Chale was a true pioneer. Beyond the striking effect achieved through the illumination of his tables, Chale’s mastery in mosaic resulted in truly unique tabletops - no two mosaics exactly the same.
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