Art Deco Style Round Cocktail or Coffee Table by Brown Saltman of California

This stylish cocktail table dates to the 1920s-1930s and is in the French Empire Revival form.

This handsome side table was created by Brown Saltman in the 1960s. The enamel inset panel is decorated with a stylized cheery blossom tree, in colors of white, apricot and black/br...

This Hollywood Regency style circular table base was produced in the 1940s by Grosfeld House. It has four hand carved Prince of Wales plumes on a t...

This iconic Pace octagonal top cocktail table was designed by Leon Rosen for the Pace Furniture Collection in the 1970s. Note: The base of intersecting X-forms are chrome plated steel. Note: The thickness of the glass is .75" and each section of the top measures approximately 18" in width. FYI Leon Rosen designed many iconic pieces for the Pace Furniture Collections...

This stylish campaing style, oval-form, two-tiered cocktail table dates to the 1960s-1970s and was designed and fabricated by the American firm of Trouvailles of New York City. The p...

This cocktail table is very much in the style of "Brutalist" pieces created by the iconic furniture designer Paul Evans. The base is composed of masonry nails in a satin-color and fi...

Art Deco Style Shagreen & Ebony Cocktail or Round Coffee Table

Vintage sculptural coffee table by Brown Saltman. The walnut frame has been refinished. Original glass top shows some signs of wear. No...

Incredible rare large hexagon coffee table by Brown Saltman, with a black textured top a finish that looks like glass. A walnut frame edge.

This expanding coffee table by John Keal is both handsome and versatile. When closed the rectilinear top sits on a pair of cube bases for a sim...

An oak coffee or cocktail table designed and produced by Brown Saltman, California, USA, 1940s.

Ebonized mahogany tri-level coffee table, attributed to Paul Laszlo, Brown Saltman Los Angeles, c. 1952. A pioneering force in the evolution of California Modern, Paul László imbued the more rigid European modernism with plusher comfort and more sumptuous flair. Laszlo began his career in Stuttgart, an epicenter of modern design prior to WWII and gained international recognition for his sumptuous, sensual brand of modernism. His early fans included Salvador Dali and George Nelson. Laszlo accepted a professorship in the US as a means of fleeing the Nazis (Two of his siblings and both his parents would die in the Holocaust). From New York, László drove cross-country to California, where he opened an office in Beverly Hills. Despite speaking hardly any English, his reputation preceded him, and he soon started receiving commissions, including remodeling and refurnishing Bullock’s on Wilshire Boulevard, the premier department store in Los Angeles. By the late 1930s László had become designer of choice to the Hollywood elite. Laszlo combined sleek geometric lines and rich woods together with novel materials and textures (ex. lucite and faux weaving), sometimes adding more traditional flourishes such as floral fabrics. His bold use of color was also a major attraction. He opened his new design studio on North Rodeo Drive in 1941, which he would maintain for over 25 years. In 1946, László furnished the residence of Rene Williams in Beverly Hills with designs that have become recognizable classics, such as the Paddle Armchairs, named for their flat, wide armrests. All the pieces from the grouping have clean, elegant lines that draw from Viennese Modern...