Bronze and Faceted Glass Top Coffee Table with Birds

Mid-Century Modern tree bark motif black lacquer base 3/4" thick glass top designers coffee table. Unusual very decorative sharp looking piece in very good near excellent condition.

Mid-Century Modern faux bamboo bronze coffee table by La Barge.

Rectangular coffee table with glass top. The design is classic, with four elegant turned and grooved vertical legs that give the piece its lightness. The base is reinforced by a lowe...

Maison Jansen bronze and glass coffee table.

These are handmade from our family to yours! See how we do it here. Our stumps are now kiln dried! This process helps with major cracking, moisture issues, and bugs! This Modern Glass Top...

The cast bronze legs, with their stepped profiles and diagonal position, appear differently from each viewing angle: sometimes slender, then massive, but also polished and at other t...

Scandinavian teak two-tiered coffee table with a glass top manufactured in the 1960s. The glass top is nicely etched around the sides. Very nice graphic design with clean and simple ...

Square Solid Bronze Tassels Decorated Base 3/4" Glass Top Coffee Center Table. glass is 3/4'' thick

Mid-Century Modern marble and brass base large square glass top coffee table.

Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...