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Brutalist solid oak slatted coffee table, Netherlands 1960s
$1,872.57
$2,340.7220% Off
£1,409.86
£1,762.3220% Off
€1,584
€1,98020% Off
CA$2,584.43
CA$3,230.5420% Off
A$2,895.13
A$3,618.9220% Off
CHF 1,505.83
CHF 1,882.2920% Off
MX$35,314.66
MX$44,143.3220% Off
NOK 19,171.21
NOK 23,964.0120% Off
SEK 18,077.09
SEK 22,596.3620% Off
DKK 12,058.99
DKK 15,073.7420% Off
About the Item
Handcrafted slatted coffee table. Made from solid oak. The oak slats are connected to each other with wooden dowels. Dark stained wood with signs of use and wear consistent with age. The size of the table makes it also suitable as a bench.
Would look great in a mid century, wabi sabi and natural interior.
- Similar to:Pierre Chapo (Designer)Charlotte Perriand (Designer)
- Dimensions:Height: 17.33 in (44 cm)Width: 55.12 in (140 cm)Depth: 22.45 in (57 cm)
- Style:Brutalist (In the Style Of)
- Materials and Techniques:
- Period:
- Date of Manufacture:1960-1970
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:ECHT, NL
- Reference Number:1stDibs: LU9426239120812
About the Seller
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Pierre Chapo est né dans le 19e arrondissement de Paris, mais en 1937 la famille s'installe à Vierzon, dans le Cher, le jeune homme s'essaie à la peinture. Puis rencontre en 1947 un charpentier de marine; dans son atelier il découvre le travail du bois, et décide de s'inscrire à l'École nationale supérieure des beaux-arts, section architecture avec Henri Larrieu et Louis Aublet. Les études sont entrecoupées de voyages vers les pays scandinaves, du service militaire en Allemagne, ainsi que d'un périple d'un an en Amérique centrale et un stage dans un cabinet d'architectes en Arizona.
De retour en France, Pierre Chapo poursuit le travail du bois essentiellement le chêne, le frêne et l'orme massif qu'il articule avec le double intérêt qu'il porte au design contemporain et au savoir-faire de l'artisanat traditionnel. Après quelques années, il ouvre une galerie boulevard de l'Hôpital, où il expose ses réalisations ainsi que celles d'autres créateurs comme Isamu Noguchi avec lequel il partage une approche sculpturale et organique, il reçoit ses premières commandes parmi lesquelles un lit simple demandé par Samuel Beckett. En 1960, lors de l'exposition Arts et techniques de l'artisanat, son travail est reconnu par la ville de Paris dont il reçoit la Médaille d'or.
Puis c'est le développement de l'atelier de fabrication de meubles, à Clamart et la participation à plusieurs projets avec des fabricants et des aménagements avec différents architectes-maitres d’œuvre dont le travail de certains comme Charlotte Perriand pour la station des Arcs l’influencera6 et dont il éditera plus tard une table basse. En 1967, il expose au Salon des artistes décorateurs et remporte la Médaille de bronze de la Société d'encouragement à l'art et à l'industrie9. Cette même année, il s'installe à Gordes et y crée sa société et son usine qui vend et fabrique les meubles audacieux et robustes, en bois massif qu'il dessine, tout en conservant l'atelier de Clamart et la boutique de Paris, étendant son réseau avec des dépositaires à Bruxelles et dans plusieurs villes de France...
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