Coffee Table in the Style of Gaetano Pesce, Italy, 1990s

Coffee table from the 'Solar' lounge set, designed by Carlo Bartoli for Arflex in 1965. A masterpiece of Italian modernism, this table showcases a sleek fiberglass and polyester resi...

Unique 1980s Memphis coffee table, crafted from pine wood, featuring bold geometric shapes, including a circular blue tabletop that contrasts beautifully with the natural wood tones....

Exceptionally rare. Exceptional colors. 1in thick resin top, poured over a steel grid. Through the manipulation of resin the shape of a face is achieved. A monumental museum worthy w...

the experimentables. what comes to your mind when asked about italian design? many people might first think of „elegance“, or „modernity“. but how about „bold“, „futuristic“ and „experimental“? from our point of view, italian designers in the 20th century have often been drivers of progress, with advanced technical ideas, or the bold use of industrial manufacturing methods. one of the most versatile of them was (and is) gaetano pesce, *1939 in la spezia. as an artist and architect, urban planner and industrial designer he literally „made“ everything. from the ‚organic building‘ in osaka to the offices of chiat/day advertising agency in new york. he often experimented with industrial materials unseen in furniture making, starting with the famous ‚golgatha‘ chair for cassina (1972), formed from one piece of moulded fibreglass, cloth and polyester resin. his works can bee seen in museums all over the world, from milan to miami, from chicago to beijing. pesce always had one thing in mind: humanity. “i like beauty full of mistakes because we are human. perfection is for machines, it is obsolete, gone,” he once said. and you can feel it in his organic, innovative, warm, sometimes imperfect and often witty designs. he tries to bridge art and design and to always make a statement about and for society. his iconic ‚up“-flat-pack-armchair for c&b italia (now b&b italia) recently celebrated its 50th jubilee. also called „la mamma“ the connected chair and stool could be seen as a mother-and-child-combination – or as a „ball-and-chain“ that ties women to their traditional role in a household. in 1995 he designed the „triple play“ series of resin tables. we have two available in different size and heights: this table is the smaller and lower one shows a cartoonish face with moustache on a yellow background, also on steel rod legs, here with black feet (stamped underneath with manufacturer’s mark „fish...