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Contemporary Cocktail Table, Hand-cut Joinery, by Richard Haining, Available Now
About the Item
This striking Coffee Table, with it's trestle base and traditional joinery is unlike much of Richard's work. This piece, made of salvaged Sappelle, is both beautiful and sturdy. The hand-cut joinery of the trestle base is accentuated with a pair of tapered "pins" locking the table's base into position.
Made early in Richard's career, the design of this table was inspired by the works of George Nakashima. Richard designed this table based upon the dimensions of the salvaged wood as he found them. No more, no less.
The table shows off details from every angle. From the open seam of the tabletop itself, with it's subtly shaped edge, to the faceted faces of the base and the contrasting wedged tenon. This piece is truly one of a kind.
NOTE - This table will require assembly (a "Philips" head screwdriver is required to complete assembly). Instructions as to how the table is assembled will be provided upon completion of the sale.
- Creator:Richard Haining (Artist)
- Dimensions:Height: 15 in (38.1 cm)Width: 57 in (144.78 cm)Depth: 23 in (58.42 cm)
- Style:American Craftsman (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2015
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:Available Now
- Condition:
- Seller Location:Brooklyn, NY
- Reference Number:1stDibs: LU2918329736442
Richard Haining
Richard Haining is a Brooklyn-based studio furniture maker and artist. Raised in Atlanta and educated at the Rhode Island School of Design, he is committed to responsible design that is elegantly hand-crafted with a modern sensibility. Blurring the line between function and fine art, Richard works with designers, trade professionals, and residential clients alike; custom tailoring each piece to suit each client’s specific needs. Whether creating a decorative vase, a custom cabinet, or executing a client's design, Richard’s meticulous attention to detail results in finished pieces that are both utilitarian and beautiful. Much of his current work is directly influenced by the over-abundance of waste and scrap wood being discarded around him. He finds beauty in the knots, century-old nail holes, mineral stains, and other “defects” that are part of that tree’s history, a fingerprint of time since passed, a natural beauty to be celebrated. These locally salvaged remnants became the building blocks for his ‘Stacked’ collection of decorative vessels and furniture pieces. The one of a kind patterns created by the tiny stacked wooden pieces achieve a quality reminiscent of mosaic tile work, basketry, and ceramics. In a world that tends to shun manual labor, Richard finds pure joy in the art of working with his hands. The ritual of creating each individual piece is a very gratifying experience for him, and it is his wish that the recipients of his work experience the same delight.
About the Seller
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