Early Ado Chale 'Goutte d'Eau' Coffee Table in Patinated Bronze

Ado Chale, Goutte D’Eau coffee table, cast bronze, lacquered steel, Belgium, 1983-1984 The Goutte D’Eau coffee table is exemplary for Ado Chale’s exceptional talent in creating inte...

Coffee table, steel and glass, The Netherlands, 1970s Modernist coffee table in chrome plated steel and glass. This design displays sober and straight forward characteristics due th...

Coffee table, walnut, Scandinavia, 1980s Minimalistic side table in walnut. This rectangular coffee table shows stunning lines due to the sleek legs of the design. Thanks to the bea...

Taichiro Nakay (Nakai) for La Permanente Mobili Cantù, coffee table, teak veneer, reed, wood, Japan/Italy, 1950s Taichiro Nakay is an incredibly talented Japanese designer who is mo...

Coffee table, solid teak, Denmark, 1950s This square coffee or side table table is an example of the elegance seen in midcentury Danish design. The top features soft edges and warm,...

Coffee table, pine, Scandinavia, 1960s. The design of this coffee table shows a strong and solid construction executed in pine. This is realized by the sharp and clear lines discer...

Ado Chale early rare "Goutte d'eau" oval coffee table with cast bronze table top on two sets of tripod black lacquered metal bases. This exquisite sculptural coffee table was made by...

Ado châle table “goutte d’eau” bronze Belgium circa 1980 signed. Iconic bronze table "goutte d'eau "by Belgium artist ado Chale. 3 feet in metal Very good...

A "Goutte D’eau", aluminum and black metal coffee table designed and produced by Ado Chale, Brussels, Belgium, 1970s.

Dining Table Goutte d'Eau by Ado Chale, Bronze, Belgium - Signed

Ado Chale (b. 1928) An early and exceptional organic coffee table by Ado Chale. Chale’s iconic tripod base, in enameled steel, supports a gleaming cross section of petrified Arizo...

Ado Chale ‘‘Pastilles’’ illuminated coffee table, 1983 Mosaic of cornaline agate stones and resin H. 35 x 150ø cm Son of a woodworker, Ado Chale spent his formative years in the Belgian countryside and began working with metal at a young age, training initially as an iron-worker. In the 1950s, he began working with sheet metal on which he would test various methods of printing with enamel. However, it was on a trip to Germany that he found his true passion: mineralogy. Stones, precious and semi-precious as well as fossils and other natural minerals, became the focal point of his self-taught artistic path. In 1961, Chale opened a mineral shop in Brussels where he showed his first creations featuring inclusions of marcasite, a dark stone he discovered on the beaches of the Cape of Blanc- Nez in northern France. By 1965, these creations had garnered significant attention and he began to widen the range of his creations. He began working with a great variety of stones and fossilized wood and developing new techniques, one of the most remarkable of which is featured in the ‘‘Pastilles’’ coffee table: the integration of light. Noticing the transformation of certain stones when lit from a certain angle, Chale aimed to demonstrate the delicate details that remained hidden without this illumination. With this objective in mind, he began integrating lighting systems beneath the mosaic tops of his coffee tables, a rare technique of which Chale was a true pioneer. Beyond the striking effect achieved through the illumination of his tables, Chale’s mastery in mosaic resulted in truly unique tabletops - no two mosaics exactly the same. Over the years, Chale’s creations found their way into some of the world’s most prestigious collections, both private and public, including those of the British royal family, the King of Saudi Arabia, Belgium’s King Baudouin and Queen Fabiola, and Queen Juliana of the Netherlands. 2014 marked the 50th anniversary of Ado Chale’s creation, an occasion celebrated with a landmark exhibition at the Galerie Yves Gastou.