French Faux Bois Coffee Table in Patchwork Horn, Circa 1970s

A parson’s style console table in tortoiseshell lacquer with a cracquelered finish on the top surface, in the manner of Milo Baughman, circa 1970s.

An unusual rustic Adirondack style banquette bench, fashioned in the late 1940s for a New Hampshire lakeside retreat. It is constructed of individual split pine logs, joined in paral...

A rosewood desk-form coffee table with flanking storage drawers along each side of its length, fitted with brass bail pulls, by Frits Henningsen, Denmark, circa 1960s.

Hollywood Regency coffee table, most likely for Maison Jansen. Features brass framework and a perforated steel railing with drop-in glass.

This exceptional coffee table by Percival Lafer is a striking example of 1970s design, seamlessly blending natural materials with contemporary finishes. The tabletop, crafted from an...

Mid-Century Italian Afrormosia Coffee Table - 1950s Iron and Colored Resin Elevate your living space with this striking Mid-Century Italian coffee table from the 1950s, featuring a ...

Superbly crafted Patchwork Coffee Table in welded and patinated pewter, copper, steel, and bronze with inset lacquered wood top top by Paul Evans, American, circa 1969. This table wa...

Looking for a coffee table that’s more than just furniture-- well this is a functional work of art. This Paul Evans original is a stunning example of mid-century artistry with a flair for the unconventional. Handcrafted from a mesmerizing patchwork of patinated copper, enameled steel, and pewter sheeting, this table brings together materials and textures in ways that no two tables are alike. And then there’s the slate top—thick, heavy, and sitting flush in its groove like it was meant to be there from the beginning of time. While there are other examples of this coffee table floating around the collector's universe, let me tell you: they’re not all created equal. Many show signs of over-polishing or even sanding, stripping away that rich, sought-after patina that true collectors drool over. But this example? It’s the gold standard. The patina has aged to perfection, offering a rich variety of tones, textures, and colors that dance across the surface. Every corner reveals a new surprise. Yes, the slate top has a few rough edges, but let’s be real—that only adds to its character. And the best part? The slate fits so perfectly into its base so snug you'd be hard pressed to squeeze a sheet of paper between them. Now, let’s talk about the man behind the magic—Paul Evans. Born in 1931 and passing away in 1987, Evans was a driving force in the American Craft Movement. He pushed the boundaries of furniture design, turning traditional techniques on their head and creating pieces that were part sculpture, part functional art. His use of metal, especially in his iconic Cityscape and Sculpted Bronze series, made him a trailblazer of mid-century modernism and brutalist design. Evans started his career working with metal in a tiny shop in New Hope, Pennsylvania with his pal Phillip Lloyd Powell—just down the road from fellow American Craft legends like George Nakashima. But Evans didn’t stop with wood and craft traditions. Instead, he worked with metal in ways no one else was doing, blending industrial and handmade aesthetics. Every piece was unique, handmade, and bursting with Evans' signature rough-hewn, heavily textured style. His work, especially these patchwork metal tables...