Gazelle Coffee Table in Blackout Oak Series 25 by Stamford Modern

Demure curves pair with unexpected sharpness. This solid walnut table has a lightweight aesthetic balanced on strong, hand-sculpted legs. Featuring a 3/4" thick glass top for a natur...

Introducing The Gazelle Dining Table by Carlos Solano, a captivating addition to Stamford Modern's expanding collection of Mid-Century inspired, f...

Craft Associates® modern bronze coffee table - 1603. This modern coffee table is expertly crafted. The base is constructed by artisans who hand-weld and hand-patina each piece. The top is 3/4" glass with a standard 48" diameter, but the base can accommodate a much larger piece of glass. Craft Associates® Furniture is proud each piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman in the business. We stand 100% behind our product. "Modernism is a movement that began in the late 1800's and ended approximately in the early 1970's. It broke away from the heavily ornate and dark furniture...

Shaker table model 5267 for Danish Furniture makers in Fredericia, Denmark. Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials. While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved. Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs. Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used...