Japanese Antique Folding Low Table "Chabudai" in Oak, Circa 1926

This antique low table was crafted in the Taisho Era (1912–1926). In Japan, where people traditionally sit on the floor, tables are designed to be lower in height than Western-style...

This antique low table was crafted in the Meiji Era (1868–1912). In traditional Japanese homes, people often sat directly on the floor to write or work, and desks were designed with...

This antique low table was crafted in the Meiji Era (1868–1912). Made entirely of zelkova wood (keyaki), the table showcases a richly textured surface that has deepened in character...

This small japanese tea shelf was crafted in the Early Showa Period'1926-'. This piece features a harmonious design, combining the muted tones of Japanese Pagoda Tree (Enju) wood wi...

This is an antique Japanese coffee table made during the Taisho period. This small table is a piece that highlights exquisite craftsman...

These low table is a very special Matthias Biberon work, in Japanese Cedar and Oak. All joints are visible is the artist's signature in the pure Japanese influence of Mingei thought and Wabi Sabi. This is the beauty of the everyday object, one whose details we never tire of rediscovering. Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...

Vintage Japanese coffee table in the style of 19th century Japanese 'Wakasa' tables. Made by Gumps, San Francisco 1960s. 'Oxblood' color ...

Introducing our exquisite low table, a stunning example of the beauty found in wabi-sabi and traditional craftsmanship. Originally used as a sewing workbench, this piece carries a ri...