Large Roberto Monsani low coffee table for Acerbis Italia 70's

Original first edition of radical design table lamp model 'Arc en Ciel' designed by Andrea Bellosi and produced by Studio Alchimea in Italy in 1978. The lamp consists of two sides a...

Afra & Tobia Scarpa for B&B Italia, 'Polygonon' model dining or meeting table, glass, electro-coated stainless steel, Italy, 1984 This stunning table designed by the Italian master ...

Table lamp model 1837/1 in opaline glass in the shape of a single-flower vase, designed by Max Ingrand for Fontana Arte Italia 1956. Beautiful illuminated vase that features a small ...

Theatrical and sculptural round table in lacquered beech wood and crystal top, model Vidum (in Milanese dialect, big screw) designed by Vico Magistretti for De Padova Italia 1987. A ...

At the 15th Milan Triennale in 1973, Claudio Salocchi launched the Napoleone family of tables, coffee tables and display units, an extremely synthetic interpretation of geometries co...

A system of small tables with a top made by freely combining different contrasting materials: wood, marble, shiny metals, giving life to a mosaic of materials differing by type, color nuances, texture and thickness. Rectangular or square, the tables can also be freely combined with each other to form large coffee tables with an ever-changing material and graphic effect. A polished metal tray, the thickness of which is designed to match perfectly with the different thicknesses of the table tops, can be added as a valet or utility tray. Dark matte grey painted support structure and feet. Table shipped disassembled. Finishes: - Wood tops, thickness 30 mm, Swamp Oak or Swamp Ash - Marble tops, thickness 15 mm, white arabesque or grey graphite, matte finish - Tray, thickness 15 mm, in polished steel or brass (*) Swamp oak and Swamp ash Special veneer identified as a ''fossil'' since obtained from trunks found below ground, where they have been preserved under layers of clay for hundreds of years. The anaerobic environment inhibited the growth of microorganisms preventing the inexorable process of slow decay. On the contrary, over time the internal elements are transformed and others have been added: the mineral salts are combined with those present in the wood matrix, slowly transforming the organic state. This long natural process, which cannot be replicated, gives the wood a unique, precious appearance, with surprising colors and textures. The aging of the wood can also cause the formation of cracks and splits which are puttied and repaired but not eliminated during processing, because they are the signs of time that provide evidence of the great age and uniqueess of the material. Born in Florence, Massimo Mariani lives and works in London. He studied architecture with Giancarlo De Carlo at the University of Genoa. After graduation he joined Renzo Piano Building Workshop in Genoa and later Herman Hertzberger...

Designed in 1983 by Giotto Stoppino and Lodovico Acerbis, the Menhir collection is inspired by the stone monoliths of the British Isles and France, which are the archetype of the col...

Designed in 1983 by Giotto Stoppino and Lodovico Acerbis, the Menhir collection is inspired by the stone monoliths of the British Isles and France, which are the archetype of the col...