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Large solid oak brutalist coffee table, France 1950s
About the Item
Large railway sleeper coffee table. The top is made from thick oak beams. It stands on a solid oak base.
The top has loads of patina and natural imperfections. The wood has a deep and rich color. The saw marks give it a robust and wavy surface.
Handcrafted in France in the 1950s.
The size and height also make it very suitable as a bench.
- Similar to:Charlotte Perriand (Designer)Axel Vervoordt (Designer)Pierre Chapo (Designer)
- Dimensions:Height: 15.75 in (40 cm)Width: 77.96 in (198 cm)Depth: 34.65 in (88 cm)
- Style:Brutalist (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950s
- Condition:Wear consistent with age and use. The condition "distressed" refers to the wear and tear of the wood. The table is stable and sturdy. No structural issues.
- Seller Location:ECHT, NL
- Reference Number:1stDibs: LU9426244253272
About the Seller
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Pierre Chapo est né dans le 19e arrondissement de Paris, mais en 1937 la famille s'installe à Vierzon, dans le Cher, le jeune homme s'essaie à la peinture. Puis rencontre en 1947 un charpentier de marine; dans son atelier il découvre le travail du bois, et décide de s'inscrire à l'École nationale supérieure des beaux-arts, section architecture avec Henri Larrieu et Louis Aublet. Les études sont entrecoupées de voyages vers les pays scandinaves, du service militaire en Allemagne, ainsi que d'un périple d'un an en Amérique centrale et un stage dans un cabinet d'architectes en Arizona.
De retour en France, Pierre Chapo poursuit le travail du bois essentiellement le chêne, le frêne et l'orme massif qu'il articule avec le double intérêt qu'il porte au design contemporain et au savoir-faire de l'artisanat traditionnel. Après quelques années, il ouvre une galerie boulevard de l'Hôpital, où il expose ses réalisations ainsi que celles d'autres créateurs comme Isamu Noguchi avec lequel il partage une approche sculpturale et organique, il reçoit ses premières commandes parmi lesquelles un lit simple demandé par Samuel Beckett. En 1960, lors de l'exposition Arts et techniques de l'artisanat, son travail est reconnu par la ville de Paris dont il reçoit la Médaille d'or.
Puis c'est le développement de l'atelier de fabrication de meubles, à Clamart et la participation à plusieurs projets avec des fabricants et des aménagements avec différents architectes-maitres d’œuvre dont le travail de certains comme Charlotte Perriand pour la station des Arcs l’influencera6 et dont il éditera plus tard une table basse. En 1967, il expose au Salon des artistes décorateurs et remporte la Médaille de bronze de la Société d'encouragement à l'art et à l'industrie9. Cette même année, il s'installe à Gordes et y crée sa société et son usine qui vend et fabrique les meubles audacieux et robustes, en bois massif qu'il dessine, tout en conservant l'atelier de Clamart et la boutique de Paris, étendant son réseau avec des dépositaires à Bruxelles et dans plusieurs villes de France...
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