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Large solid oak brutalist coffee table, France 1950s
$3,488.52
£2,559.90
€2,900
CA$4,742.56
A$5,312.27
CHF 2,761.79
MX$65,595.89
NOK 35,183.06
SEK 33,260.11
DKK 22,074.21
Shipping
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About the Item
Large railway sleeper coffee table. The top is made from thick oak beams. It stands on a solid oak base.
The top has loads of patina and natural imperfections. The wood has a deep and rich color. The saw marks give it a robust and wavy surface.
Handcrafted in France in the 1950s.
The size and height also make it very suitable as a bench.
- Similar to:Pierre Chapo (Designer)Charlotte Perriand (Designer)Axel Vervoordt (Designer)
- Dimensions:Height: 15.75 in (40 cm)Width: 77.96 in (198 cm)Depth: 34.65 in (88 cm)
- Style:Brutalist (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950s
- Condition:Wear consistent with age and use. The condition "distressed" refers to the wear and tear of the wood. The table is stable and sturdy. No structural issues.
- Seller Location:ECHT, NL
- Reference Number:1stDibs: LU9426244253272
About the Seller
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Pierre Chapo est né dans le 19e arrondissement de Paris, mais en 1937 la famille s'installe à Vierzon, dans le Cher, le jeune homme s'essaie à la peinture. Puis rencontre en 1947 un charpentier de marine; dans son atelier il découvre le travail du bois, et décide de s'inscrire à l'École nationale supérieure des beaux-arts, section architecture avec Henri Larrieu et Louis Aublet. Les études sont entrecoupées de voyages vers les pays scandinaves, du service militaire en Allemagne, ainsi que d'un périple d'un an en Amérique centrale et un stage dans un cabinet d'architectes en Arizona.
De retour en France, Pierre Chapo poursuit le travail du bois essentiellement le chêne, le frêne et l'orme massif qu'il articule avec le double intérêt qu'il porte au design contemporain et au savoir-faire de l'artisanat traditionnel. Après quelques années, il ouvre une galerie boulevard de l'Hôpital, où il expose ses réalisations ainsi que celles d'autres créateurs comme Isamu Noguchi avec lequel il partage une approche sculpturale et organique, il reçoit ses premières commandes parmi lesquelles un lit simple demandé par Samuel Beckett. En 1960, lors de l'exposition Arts et techniques de l'artisanat, son travail est reconnu par la ville de Paris dont il reçoit la Médaille d'or.
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