Martin Eisler Coffee Table in Caviuna Wood, Brazil, 1950s

Designed in a rational and geometric way, this pair of handmade Branco and Preto side tables have an open and elegant appearance. Both tables are made of a combination of solid and veneer caviuna wood with a beautiful grain. Caviuna is a Brazilian timber tree yielding a heavy, hard dark-coloured wood streaked with black play that is also visible on this pair. These tables feature glass tops that are effortlessly embedded in the wooden frame adding modernism to the design. Underneath the glass tops are wooden shelves, which have a somewhat floating appearance thanks to the extending shelves that align with the tops. In combination with the recessed legs, these tables have a simple, refined look. The strong lines and proportions are light and simple at the same time, which is a returning characteristic of the work of the Brazilian design duo, Branco and Preto. ⁣Condition: In good vintage condition. Wear consistent with age and use. The wooden veneer has some cracks / marks on one of the bottom plates. Dimensions: 25.99 in W x 39.38 in D x 21.07 in H 66 cm W x 100 cm D x 53.3 cm H Literature: Branco e...

In European midcentury design, there are some common elements that define the continent’s furniture design of the era. Most importantly, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This rustic, solid wood coffee table is a perfect example of this sentiment, and the visual benefits of an understated, organic design. Mid-Century Modern represented a break with the traditional past: design-wise, furnishings were often a rejection of Victorian, Colonial, and other historical influences, especially the pseudo-historical use of ornamentation. In comparison, furniture of the 50s and 60s are generally more pared-down, smaller in scale, and uncluttered with unnecessary ornament: on this front, the movement shared qualities with the efforts of the Bauhaus designers’ vehement rejection of ornamentation. This coffee table has a strong elemental feel to it, which is a result of its thick table top and sturdy legs. The focus is on the Material, letting the beautiful qualities of the wood stand out. The circular pattern of the wood is the result of the trunk being used without cutting it into pieces, thus showing the tree’s year rings...

This characteristic coffee table is a nod to modernist design with traditional craftsmanship. The design relays an insight about the society and culture in which it was produced: clo...

This coffee table is aesthetically, a tempered Modernism in design: clear forms without exaggeration with the high-quality work of a Danish cabinetmaker. Humble in its material and s...

Crafted from a nice warm brown oak wood, this table in many ways epitomizes the Brutalist movement, a design philosophy rooted in raw, unadorned materials and a functionalist ethos. ...

Designed in a rational and geometric way, this pair of handmade Branco and Preto side tables have an open and elegant appearance. Both tables...

Brazilian modern coffee table side table, Martin Eisler 1913-1977. This table has been carefully restored keeping the color original enhanced by hand pol...

This round coffee table in Rosewood was designed by Martin Eisler (1913-1977) and Susi Aczel (1931-) for Forma S.A. Móveis e Objetos de Arte. This piece ...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Coffee table Manufactured by Forma Moveis Brazil, 1950s Ebonized wood, glass top Midcentury design Brazilian coffee table. Measurements 60 cm diameter x 49 height cm. 23.50 in diameter x 19.3 height in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance.  Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

This is the rare and extremely sought after dining table with cane top, by Austrian-Brazilian designer Martin Eisler in the early to mid 1950s. Eisler was seduced by the simplicity and results of using cane weaves...

This coffee table in rosewood was designed by Martin Eisler (1913-1977) for Forma S.A. Móveis e Objetos de Arte. This piece refers to a furniture typology common at midcentury and ve...

Martin Eisler created this original table in the 1950s to take advantage of space, assuming two positions: in the normal position, it serves as a dining table for up to six people; i...