Brazilian Modern Coffee Table Martin Eisler

Dunbar cocktail table designed by Edward Wormley for Dunbar. Coffee table in two tone walnut with lower shelf and brass stretcher. Very good original condition. Very light wear to ...

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19th century elmwood low table, day bed, bench, and or cocktail table. Round leg construction with round corner apron, very solid, very strong, rustic low table...

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This round coffee table in Rosewood was designed by Martin Eisler (1913-1977) and Susi Aczel (1931-) for Forma S.A. Móveis e Objetos de Arte. This piece ...

This coffee table in rosewood was designed by Martin Eisler (1913-1977) for Forma S.A. Móveis e Objetos de Arte. This piece refers to a furniture typology common at midcentury and ve...

1950's round ebonized Giuseppe Scapinelli cofffee table with glass top and natural wood raised lower shelf. Beautiful curved "J" shaped legs. Downward taper to wooden edge to flat gl...

Martin Eisler (1913-1977) designed this rosewood coffee table for Forma S.A. Móveis e Objetos de Arte. It belongs to a furniture category commonly found during the midcentury period ...

Martin Eisler (1913-1977) & Carlo Hauner (1927-1997) Coffee table Manufactured by Forma Moveis Brazil, 1950s Ebonized wood, glass top Midcentury design Brazilian coffee table. Measurements 60 cm diameter x 49 height cm. 23.50 in diameter x 19.3 height in. Literature Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016. Martin Eisler (Vienna, Austria, 1913 - São Paulo, Brazil, 1977), was an architect and furniture designer. He was part of a group of European architects and designers who left Europe during the chaos of the Second World War and went to live and work in Brazil. Eisler stood out amongst this group of creatives, his work was at the forefront of modern furniture design in Brazil which flourished through the 1950s and 1960s in the region. The work of Martin Eisler in partnership with Carlo Hauner (1927-1996) was of particular significance.  Eisler left Europe in 1938 due to the rise of fascist regimes. He first lived in Argentina, where he was settled and worked as an architect, set designer and interior designer, he opened up an interior design firm Interieur Forma. In 1940, he married Rosl Wolf, the daughter of German immigrants. Born in Brescia in 1927, Carlo Hauner studied technical drawing and drawing at the Brera Academy in Milan, Italy. In 1948 he successfully participated in the Venice Biennale after which he moved to Brazil, where he dedicated himself to the design of textile, ceramics, furniture and architecture. In only a very short time he founded a furniture production company and purchased a factory from Lina Bo Bardi and her husband Pietro Bardi, renaming it Móveis Artesanal. In 1953 Hauner met Martin Eisler, who was looking for help to produce furniture for the home of his brother-in-law, Ernesto Wolf. Eisler reached out to Hauner and the rest is history. The two men connected and with Wolf’s financial backing, they opened Galeria Artesanal (a store for their company Móveis Artesenal) on a busy street in São Paulo. Being highly ambitious and with an eye on the international market as well as the upcoming office market, Móvies Artesanal later changed into Forma. Along with Oca, Forma became one of the biggest names in Brazilian furniture production. Even managing to attract an exclusive license to sell Knoll furniture, bringing big names in international design such as Mies Van Der Rohe, Charles Eames and Harry Bertoia to the Brazilian furniture market. Hauner and Eisler’s designs are characterized by the use of Brazilian woods, thin tubular frames and a range from furniture, to ceramics and textiles. Some of their most famous designs are the “rib” lounge chair...

This classic coffee table comes from Brazil, where it was produced during the 1960s. It was finished with a rosewood with a dark tone and strong, hard graining. The form of the table...