Mobichalet Brutalist Impressive Solid Oak Center Table Belgium 1950s

Mobichalet, founded by a teacher turned cabinetmaker named Joseph Deffense in Beauraing, Belgium, in 1950, had been active a decade, aiming at furnishing second homes with rustic furnitures, which left a sought after legacy of strikingly powerful and peculiar handcrafted brutalist pieces. The chairs forming this set are typical of the designer : the seat itself is a solid slab of pine wood, the headrest is thick, a simple rectangular cuboid, and, as expected in a brutalist design, the construction is very simple yet efficient and sturdy with no sharp angles. This extremely nice set features an homogeneous seat height and very good backrest angle through all the chairs, ensuring an unexpected and consistent comfort. Under the seat, as illustrated in the pictures, the brand logo is directly carved - or drilled - in the wood with large stencil...

Pure and simple lines for this 1950s coffee table by ISA Bergamo in Italy in rosewood and black steel.

These low table is a very special Matthias Biberon work, in Japanese Cedar and Oak. All joints are visible is the artist's signature in the pure Japanese influence of Mingei thought and Wabi Sabi. This is the beauty of the everyday object, one whose details we never tire of rediscovering. Matthias Biberon (Paris, 1977) lives and works in Perche (Normandy / France). He began working with wood in 2019, leaving behind photography and ceramics, which he had practiced successfully for many years. In wood, he finds the pleasure of imagining shapes and building them, with a combination of both naivety and attention to detail, and a freedom that neither conceptualism nor ceramics had given him. His furniture is organic, respecting the original shape of the wood and following its knots and veins. The search for balance and precision is one of the cornerstones of Matthias's work. Carefully sourced, the wood types used - Oak, Elm, Cedar, Walnut - have been dried for decades, giving them an unrivalled patina. His trademark? Visible construction and the blending of materials, with stone a natural addition to his creations; for each of them, he seeks a form of balance, purity and softness, a functionality that is both poetic and sculptural, the simplicity and force of a haiku. Passionate about art, it was while progressing towards Arts & Crafts that he embraced the aesthetics of functionalism, Mingeï and the thinking of William Morris. He is sensitive to the Arte Povera of Jannis Kounellis and Giovanni Anselmo, the Zen influence of John Cage, the freedom of Don Cherry...

Rectangular assembled schist table with rounded corners and brass inlay, very rare octagonal legs, signed on the top H: 47 cm Top: 80 x 120 cm. Paul KINGMA (1931 - 2013) Dutch s...