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Pair of Maison Jansen Mid-Century Modern Side Tables, France, 1950's

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Pair of Mid-Century Maison Jansen Paris Circa 1950's Glass Brass Side End Tables

Name: Pair of Mid-Century Maison Jansen Paris Circa 1950's Glass Brass Side End Tables
Brand: Maison Jansen
Price: 3202.1 USD
Availability: InStock

About the Item

We are delighted to offer for sale this lovely original pair of circa 1950’s Mid Century Modern Maison Jansen Paris side end tables which are part of a suite This tables are very much on trend and will never be far from it, the lines are elegant and timeless and they look sophisticated and refined in any setting Condition is period, the brass has a wonderful patina that looks very Hollywood regency Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. Jansen is considered the first truly global design firm, serving clients in Europe, Latin America, North America and the Middle East. This House was located at 23, rue de l'Annonciation, Paris, and closed in 1989. History From its beginnings Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antiques gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father Alexandre Boudin, and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Furniture: Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Work: Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle in Kent, England. The firm's most published work was a project by Boudin and Paul Manno, the head of Jansen's New York office, for the U.S. White House during the administration of John F. Kennedy. At the same time, Jansen completed the interior of the motor yacht Chambel IV, now renamed Northwind II. Northwind II is one of the few remaining complete Jansen commissions. After Stéphane Boudin's death in 1967, colleague Pierre Delbée took over the business. Maison Jansen came under new ownership in 1979 and finally closed in 1989 Dimensions: Height:- 41cm Width:- 46cm Depth:- 46cm Please note all measurements are taken at the widest point.

Creator:

Maison Jansen (Cabinetmaker)

Dimensions:

Height: 16.15 in (41 cm)Width: 18.12 in (46 cm)Depth: 18.12 in (46 cm)

Style:

Mid-Century Modern (Of the Period)

Materials and Techniques:

Brass,Glass,Hand-Crafted

Place of Origin:

France

Period:

Mid-20th Century

Date of Manufacture:

1950

Condition:

Wear consistent with age and use. Minor fading.

Seller Location:

Reference Number:

1stDibs: LU2823330038052

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Maison Jansen

The Dutch-born Jean-Henri Jansen (1854–1928) was only in his mid-20s when he set up his Parisian design business in 1880. By the time he died, Maison Jansen had become the world’s first international decorating firm. Today, it is still regarded as one of the most notable firms and period furniture manufacturers in history, with its vintage floor lamps, tables, dressers and other furnishings remaining in demand.

Maison Jansen initially came to international prominence in 1883 when the young Jean-Henri Jansen traveled to Amsterdam to participate in the International Colonial Exposition, an event that featured presentations by 28 different nations and was attended by over a million visitors. There he exhibited as part of the French pavilion and won the silver medal. This led to two prominent new clients: King William III of the Netherlands and King Alfonso XII of Spain. Next was King Leopold II of Belgium for the interiors of the Château du Laeken, as well as commissions for Egypt’s King Farouk and Great Britain’s King Edward VII. Thanks to his participation in global expositions and fairs, Jansen expanded the renown of the firm so that its studios would reign in such major cities as London, New York, Buenos Aires, Cairo and many more.

Jansen was not only sought after for his taste but also for his custom period-inspired pieces. For example, in the Count and Countess de Revilla de Camargo’s Havana mansion, Jansen designed Louis XV–style furniture crafted from Cuban mahogany, enhancing Maison Jansen’s reputation as an expert maker. His custom furniture business was so successful that by 1900 he had opened his own atelier and employed around 700 artisans. In the 1960s, the firm, then led by Stéphane Boudin, worked with Jacqueline Kennedy on the refurbishment of rooms in the White House, including such spaces as the Queens’ Sitting Room, which featured bright blue fabric and neoclassical details.

Maison Jansen continued to produce furniture designs through the 20th century, responding to shifting tastes from Art Nouveau to Modern Regency. The atelier and studio officially closed its doors in 1989.

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