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STACKED Round Side Table by Richard Haining, Custom, Coffee Table

Name: STACKED Round Side Table by Richard Haining, Custom, Coffee Table
Brand: Richard Haining
Price: 4100 USD
Availability: InStock

$4,100per item

About

Part of Richard Haining's STACKED Collection, the table shown here was hand built using reclaimed red and white oak, but is available in a variety of other woods. The incredible variation and intensity of tones and colors inherently found in Richard’s STACKED work is a result of the wood's previous life; water and mineral stains, knots, century-old nail holes, and other “defects” that are part of that lumber's history, a fingerprint of time since passed, a natural beauty to be celebrated, and only found through reclamation. a variety of local Brooklyn wood shops, as well as from deconstructed turn of the century mill and factory buildings from the Northeast. As with all of the pieces in his STACKED collection, this table is hand-built hollow, Stacked piece by piece, layer by layer, all the while controlling the wall thickness as well as the profile. The one of a kind patterns created by the assemblage of shards of wood achieve a quality reminiscent of mosaic tile work and basketry. Once complete, the exterior surface is sculpted smooth using a variety of hand held tools; while the interior was left unshaped accentuating the terraced contours. The completed base is finished with a hand rubbed custom varnish, which is intern sealed with a custom beeswax final topcoat. The result is a finely honed finish with slight undulations, similar to that of hand-built ceramics. Custom sizes, wood species, and tops are available upon request, noting that variations may incur additional cost. Please be aware, due to the nature of the STACKED process, and the qualities inherent to each piece of wood, each finished base is unique. Please feel free to contact Richard to discuss any options you are considering, as he'd be happy to tailor this piece for you or your client's space. NOTE: -This table shows a 20inch diameter glass top with a 1inch overhang. -This listing is for a single side table. The second from last image shows two side tables, of different sizes, with different glass tops for reference only.

Additional Options

Custom sizes, wood species, and tops are available upon request, noting that variations may incur additional cost. Please be aware, due to the nature of the STACKED process, and the qualities inherent to each piece of wood, each finished base is unique. Please feel free to contact Richard to discuss any options you are considering, as he'd be happy to tailor this piece for you or your client's space.

Details

Creator
Richard Haining (Maker)
Production Type
New & Custom(Current Production)
Production Time
It will take 11-12 weeks to make this piece
In the Style Of
Modern

Place of Origin
United States
Date of Manufacture
2018
Period
2010-
Materials and Techniques
Hand-CarvedCeramic,WoodworkPottery,PatchworkArt Glass,PolishedSmoked Glass,TurnedMarble,Hand-CraftedWood,VarnishedHardwood,MosaicCherry,JoineryMahogany,Hand-WovenMaple,CarvedOak,LaminatedWalnut,ParquetryReclaimed Wood,OiledScrap Wood

Condition
New
Dimensions
H 25 in. x Dm 18 in.H 63.5 cm x Dm 45.72 cm
Diameter
18 in. (45.72 cm)
Seller Location
Brooklyn, NY

Reference Number
LU2918311012941

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About The Maker

Richard Haining

Richard Haining is a Brooklyn-based studio furniture maker and artist. Raised in Atlanta and educated at the Rhode Island School of Design, he is committed to responsible design that is elegantly hand-crafted with a modern sensibility. Blurring the line between function and fine art, Richard works with designers, trade professionals, and residential clients alike; custom tailoring each piece to suit each client’s specific needs. Whether creating a decorative vase, a custom cabinet, or executing a client's design, Richard’s meticulous attention to detail results in finished pieces that are both utilitarian and beautiful. Much of his current work is directly influenced by the over-abundance of waste and scrap wood being discarded around him. He finds beauty in the knots, century-old nail holes, mineral stains, and other “defects” that are part of that tree’s history, a fingerprint of time since passed, a natural beauty to be celebrated. These locally salvaged remnants became the building blocks for his ‘Stacked’ collection of decorative vessels and furniture pieces. The one of a kind patterns created by the tiny stacked wooden pieces achieve a quality reminiscent of mosaic tile work, basketry, and ceramics. In a world that tends to shun manual labor, Richard finds pure joy in the art of working with his hands. The ritual of creating each individual piece is a very gratifying experience for him, and it is his wish that the recipients of his work experience the same delight.