White Tripod Coffee Table by kar

Black tripod coffee table by kar Materials: FRP. Dimensions: 150 x 85 x 30 cm. This piece is suitable for outdoor use. Inspired by three-leg utensils w...

Black Tripod Coffee Table by kar Materials: FRP. Dimensions: 150 x 85 x 30 cm. *This piece is suitable for outdoor use. Inspired by three-leg utensils, w...

Black tripod coffee table by kar Materials: FRP Dimensions: 150 x 85 x 30 cm This piece is suitable for outdoor use. Inspired by three-leg utensils whi...

Pudding coffee table by kar Dimensions: W 120 x D 75 x H 34 cm Materials: FRP Kar, is the root of Sanskrit Karma, meaning karmic repetition. We seek the cause and effect in aesthet...

Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant round coffee table from northern Italy with "orange slice" veneered with walnut-feather; the central stem of the tripod is in hexagonal solid wood; the three final supports, always in solid wood, are shaped and well whittled with simple and rigorous lines; at the center of the table, there is a delicate and refined inlay reproducing a rose, made by hand with soft precious woods, the two peripheral circles of the top are always inlaid. The most interesting and compelling feature of this table is the workmanship with which it was made: the " wood veneer"( Attention. The exact term is Italian "lastronatura" untranslatable in English, in fact, the "lastronatura" is very different and older than “wood veneer”. Read explanation later). The”lastronatura” is an artisan technique that spread already during the sixteenth century and remained unchanged until the mid-nineteenth century before the Industrial Revolution; it consisted of hand-cutting the trunks of noble wood (walnut, mahogany, briar, walnut-feather, etc.) with ancient saws in so many layers with thicknesses ranging from 4 to 6 millimeters, which were then applied to furniture for decorative purposes; the finishing of this procedure was very complex: the wood layer was treated with natural earth dissolved in water for the desired shade, it was aged with stone, fixed with shellac applied with a brush and finally polishing was performed in 12 steps...

For the past six years Portuguese designer Rui Pereira and Japanese designer Ryosuke Fukusada have been collaborating on projects that tap into the...

The Clarke Collection comes in ten different table top sizes, two wood species, and two metal finishes. The exposed stainless steel bolts blur the line between Scandinavian and Indus...