De Stijl Mondrian Style Console Table and Mirror, Signed, 1994

Available right now I have an incredible JMF Table by the legendary Karl Springer. A piece that oozes sophistication and charisma, perfect for that trendsett...

This credenza is absolutely stunning! Paul Evans Cityscape line is a furniture collection that was designed by American sculptor and furniture designer Paul Evans in the 1970s. The Cityscape line is characterized by its geometric forms, mixed materials, and bold, textured finishes. Paul Evans was renowned for his innovative use of metals and his mastery of the sculpting and welding techniques required to create these types of unique designs. He combined different materials like burl and chrome-- in this piece to create stunning pieces of furniture that were functional works of art. Paul Evans Cityscape line pieces are highly sought after by collectors and design enthusiasts alike, and are considered iconic examples of Mid-Century Modern furniture design. Paul Evans (1931-1987) was an American artist, sculptor, and furniture designer who is best known for his unique and highly sought-after modern and Brutalist furniture designs from the mid-20th century. Born in Pennsylvania, Evans began his career as a metalworker, first studying at the School for American Craftsmen in Rochester, New York and later at Cranbrook Academy of Art in Michigan. He then went on to work for several different furniture manufacturers before eventually founding his own studio in the mid-1950s. Throughout his career, Evans was known for his innovative use of metals and his mastery of sculpting and welding techniques. He created furniture that was both functional and artistic, with a strong emphasis on texture and surface treatments. His signature designs often featured geometric forms, mixed materials, and bold finishes, and were highly influential in the development of Mid-Century Modern design. Evans' work has been exhibited in museums and galleries around the world, including the Museum of Modern Art in New York, the Smithsonian Institution in Washington, D.C., and the Victoria and Albert Museum in London. His furniture is highly sought after by collectors and design enthusiasts, and remains an important part of the Mid-Century Modern design movement. This credenza would look incredible in any Mid-Century Modern, modern or contemporary environment. We currently have this credenza paired with a Milo Baughman burl dining table. When this piece is in the room, it steals the show. We had this piece featured in our booth at Round Top with a Rafael Raffel...

Designed and crafted by French Pop Artist, Luois Durot, this piece is sure going to be a conversation piece. Is it a tongue? Is it a bum? It's called the Pouffesses chair and it's definitely a fun piece that makes a bold statement in any room! While the chair is certainly a bold piece of functional pop art, it looks fantastic in the gallery, flanked with a Vladimir Kagan cloud sofa, and Paul Evans cube table (as photographed). We also have this piece among Olivier Mourgue, Pierre Paulin and Verner Panton pieces and not only does this piece hold its own, it makes a statement. This piece would look incredible in any modern, mid century modern, or contemporary environment. Louis Durot's pieces have sharply increased in popularity in recent years-- being currently styled by Kelly Wearstler and other top interior designers. A quick search online will yield a treasure trove of these pieces being used in a number of absolutely stunning contemporary environments. Louis Durot, born 1939, is a French pop artist who narrowly escaped deportation in 1943 by missing the train to Auschwitz. Gathered in Magagnosque ( Alpes-Maritimes ), it is there that he discovered the pleasure of sculpting the earth and making objects from it. In 1960, he enrolled at the Faculty of Science, where he obtained a diploma in “propaedeutics – Maths 1 Mécagène”. In 1963, he became a "gluer" for two months and then an engineer at Equipiel, where he was responsible for calculations and resistance measurements to develop prototypes of nuclear power plants. When the French branch was abandoned and became a research company, Equipiel offered him a one-year training in organic chemistry. Between 1966 and 1972, Louis Durot was at the head of a dozen research contracts. In 1964, Louis Durot founded the Freelane Studio which aims to bring together artists from various disciplines with common artistic expectations. The Freelane Studio thus brought together the jazz journalist Gilles Brinon, the painter Jean Ihallero, Maxime Defert... It was thanks to them that Louis Durot met the painter François Arnal , who introduced him to the French sculptor César in 1966. Louis Durot becomes César's assistant for a year, in order to put his qualities as a chemical engineer at his service. In César's studio, he improves his knowledge of polyurethane foam and the artist's foam creations, his expansions. Thanks to César, Louis Durot met Pierre Restany (founder and mentor of the New Realists group founded in 1960), Arman and Robert Malaval...

This sofa is strikingly gorgeous! A rare, one of one-- one of a kind sofa designed and executed by Paul Evans. This sofa features an almost sleigh like craftsman base that is very George Nakashima - esque, and is completely clad in Evans sculpted resin and bronze. The sofa has been upholstered in a fine, butter-creamy colored mohair and is not only easy on the eyes, but is incredibly comfortable. This piece is triple signed, featuring Paul Evans initials and date on the bottom of the sofa's shell, another Evans signature and date on the base of the sofa, and a G singed above for (George Fry). One of the most recognizable and important names in the American studio craft movement of the 1960's and 70's, Paul Evans was a groundbreaking pioneer in brutalism. Collaborating as well as sharing a showroom with Phillip Lloyd Powell until 1964 when Evans met the owner of Directional Furniture and created a line of 6 coffee tables to go into the Directional High Point, NC booth for the spring Market. As the story has been recounted by Dorsey Reading, the tables never even made it to the showroom floor. Evans soon found out the tables never even had the opportunity to be sold; obviously disappointed, the `owner of Directional, BG agreed to put the tables out on the showroom floor in New York City to placate Paul Evans. What happened can probably best be compared today with "going viral." The coffee tables started flying off the floor, and the orders came rolling in. This fervor led to Evans creating many designs with Directional in years long partnership-- with the very first series being the "Sculptured Metal" Collection which was publicized in 1968. This piece specifically was not a Directional piece. This piece was created in Paul Evans Studio and ended up being sold directly through the studio. This Sculpted Bronze and Resin sofa is an incredibly rare example of Paul Evans Sculpted bronze technique, which involves hand sculpting using an epoxy resin and coating in an atomized cold cast bronze. Paul Evans used to be labeled kind of a "bad boy" of design-- with an an affinity for sculpted brutalism and pieces that epitomize maximalism, his pieces were collected by rock stars, artists and creatives. Evans, now widely recognized as a pioneer in the American craft movement has solidified his place in design history and is highly collectable. This sofa would look excellent in any mid century modern, brutalist or even contemporary or boho chic environment. While brutalist in nature, this piece can be styled up or down to blend into almost any environment. We currently have this sofa in our gallery paired with a Jean Royere coffee table...

One of the most recognizable and important names in the American studio craft movement of the 1960's and 70's, Paul Evans was a groundbreaking pioneer in brutalism. Collaborating as well as sharing a showroom with Phillip Lloyd Powell until 1964 when Evans met the owner of Directional Furniture and created a line of 6 coffee tables to go into the Directional High Point, NC booth for the spring Market. As the story has been recounted by Dorsey Reading, the tables never even made it to the showroom floor. Evans soon found out the tables never even had the opportunity to be sold; obviously disappointed, owner of Directional, BG agreed to put the tables out on the showroom floor in New York City to placate Paul Evans. What happened can probably best be compared today with "going viral." The coffee tables started flying off the floor, and the orders came rolling in. This fervor led to Evans creating eventually over 800 designs with Directional-- with the very first series being the "Sculptured Metal" Collection which was publicized in 1968. This piece specifically is a throne chair that also swivels. Upholstered in black leather, this throne chair is a wonderful example of Paul Evans Sculpted bronze technique, which involves hand sculpting using an epoxy resin and coating in an atomized cold cast bronze. This piece is signed and dated "PE 69" making it an early example of his goopy cast bronze series and line of furniture for Directional. It's extremely important to note: Directional Furniture showrooms in New York City and Chicago were private to-the-trade only showrooms, so only interior designers and their clients were able to custom order these pieces through the showroom. There was never any "inventory" of furniture. Each and every piece was a custom, hand crafted work of art, created to order. No two of any piece were ever alike. Evans eventually went on to employ a team of nearly 90 people, working two shifts-- helping to hand-craft his designs. This could easily explain why not every piece is hand signed, therefore making an early, had-signed pieces like this even more desirable for a collector. This piece has a wonderful patina, with vibrant colors and while still brutalist in nature, it's a bit more subdued and could effortlessly be blended into any contemporary environment. We currently have this piece in the gallery paired with a Vladimir Kagan serpentine cloud sofa, and a Karl Springer goatskin...

This dining table is stunning! A true masterpiece of Memphis Milano styling, drawing inspiration from the iconic designs of Ettore Sottsass, Vico Magistretti, and other members of th...

Stijl console table by Van Rossum Dimensions: D140 x W48 x H84 cm Materials: Oak, brass, nickel. The wood is available in all standard Van Rossum colors, or in a matching finish...

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