Pair of 19th Century Marble-Topped Console Tables

This English mahogany console table is a rare period example of the elaborate Chinese Chippendale style. A study in symmetry and balance, this table combines the restrained elegance of the Georgian period with the intricate artistry of the Orientalist aesthetic. Elaborate fretwork on the frieze and pierced supports are beautifully matched by fluted legs. As a whole, it represents a stunning marriage of Chippendale craftsmanship and Eastern design. Small, decorative tables such as this represented the great influence that China had in European decorative and Fine art beginning in the 1600s. Since the Restoration of the monarchy, there had been a growing interest in Chinese-style design forms in England. Called "chinoiserie" in French, this style had become extremely popular by the middle of the 18th century, and designers such as Thomas Chippendale eagerly adopted the elaborate Eastern designs. By the mid-1750s, the Vauxhall Pleasure Gardens were sporting "Chinese Pavilions...

Among the most beautiful examples of hardstone artistry that have ever entered our collection, these important Grand Ducal pietre dure console tables are in a class all their own. Their powerful architectural elegance, impressive size and rarity make them two of the finest hardstone masterpieces ever created and quite possibly the greatest pair of pietre dure tables in existence. With their naturalistically rendered flowers and birds, these tabletop panels showcase the particularly fine quality craftsmanship of the Grand Ducal workshops in Florence during the first quarter of the 17th century. Grand Duke Ferdinando I de Medici, one of the most important personages in the annals of art history, established the Grand Ducal Workshop in 1588. The workshop specialized in the art of pietre dure developed from the ancient art of opus sectile, giving rise to the most luxurious and detailed examples of hardstone artistry ever produced. Its patrons were the Popes and Royals of Europe, and the quality of the objects produced in the workshop is without equal. Typically, because of the high level of workmanship the art form requires, pietre dure plaques were crafted in small sizes. The great majority of known examples of pietre dure are a fraction of the size of our grand tables. The combination of pietre dure and extensive use of other rare decorative hardstones such as lapis lazuli and pietra paesina or “ruin marble” meant that these tabletops were surely produced for a wealthy collector. The tables are further distinguished by their superbly carved bases by Andrea Brustolon, known as the “Michelangelo of wood.” Brustolon was a Venetian wood sculptor known for his exuberant and intricate Baroque furniture. His high Baroque style was influenced by his years studying in Rome, where he was exposed to the sculpture of Gian Lorenzo Bernini. Crafted in the early 18th century, these bases display Brusolon’s unmatched talent for both figural and foliate work, combining cupids, masks and oversized scrolling vines for a grand, ornate effect. Similar furnishings by Brustolon are held in museums worldwide, including the Victoria & Albert Museum, the National Museum of Scotland and the Metropolitan Museum of Art, while the Ca' Rezzonico Museum in Venice features an entire room dedicated to the sculptor. For approximately 150 years, these tables were part of the famed Stoneleigh Abbey collection owned by the Lord Leigh family. This renowned English country estate inspired Jane Austen to write Mansfield Park. Lord Leigh eventually sold the tables at Christie’s London in 1962, and the pair have stayed in the collection of the same Florentine family who purchased them from Christie's until we recently acquired them. Our tables are prominently pictured in the important Saul Levy book Il Mobile Veneziano del Settencento. The pietre dure plaques date circa 1625-1650. The decorative tops likely would have originally been sold with a pair of plain stone columns to display them, and Lord Leigh would have commissioned the custom bases from Brustolon circa 1714 when he added the impressive four-story fifteen-bay Baroque West Wing to Stoneleigh Abbey. A similar single Grand Ducal tabletop is in the United Kingdom’s National Trust Collection, and a smaller tabletop resides in Buckingham Palace. The flower and bird panels in our examples relate to the famous Badminton Cabinet...

This exceptional Irish games table is as functional as it is beautiful. Crafted of Cuban mahogany, it serves as a console table when not in use, but the top folds out to reveal a gre...

An exceptional pair of hand-chased doré bronze candelabra by the distinguished French sculptor Eugène Lelièvre, and foundered by Susse Freres of...

Crafted of brilliant doré bronze and fine brocatelle marble, this wonderful Napoleon III-period inkwell is as functional as it is beautiful. In a style reminiscent of Louis XV Rococo...

This delightful gold and mother of pearl vinaigrette is ripe with 19th-century charm. Emblazoned with the initials "E.L" for its original owner, the book-shaped vinaigrette almost ce...

Early 19th-century console table, The large rectangular marble top above the foliated carved frieze. Supported on reeded front scroll supports and mirror back united by the concave b...

A very rare pair of 19th Century mahogany marble top console tables, of exceptional quality, superbly hand carved and richly patinated with fine grain. The gorgeous, moulded white C...

A superb 19th century French marble top flame mahogany console ta-ble. The moulded, double edged Marquina Black marble top raised over moulded frieze with full width single long draw...

A rare 19th century mahogany marble top console table, of neat proportions, fabulous quality and finely hand carved with rich patination and grain. The moulded emperador marble top i...

An impressive 19th century classical influenced marble topped console table, having inlaid Greek Key pattern to the break fronted top. Inlaid faux Malachite fluting to the freeze, an...

19th century giltwood black marble-top console table with very detailed carvings. France, circa 1860.