Marble Specimen Console Table

This English mahogany console table is a rare period example of the elaborate Chinese Chippendale style. A study in symmetry and balance, this table combines the restrained elegance of the Georgian period with the intricate artistry of the Orientalist aesthetic. Elaborate fretwork on the frieze and pierced supports are beautifully matched by fluted legs. As a whole, it represents a stunning marriage of Chippendale craftsmanship and Eastern design. Small, decorative tables such as this represented the great influence that China had in European decorative and Fine art beginning in the 1600s. Since the Restoration of the monarchy, there had been a growing interest in Chinese-style design forms in England. Called "chinoiserie" in French, this style had become extremely popular by the middle of the 18th century, and designers such as Thomas Chippendale eagerly adopted the elaborate Eastern designs. By the mid-1750s, the Vauxhall Pleasure Gardens were sporting "Chinese Pavilions...

Among the most beautiful examples of hardstone artistry that have ever entered our collection, these important Grand Ducal pietre dure console tables are in a class all their own. Their powerful architectural elegance, impressive size and rarity make them two of the finest hardstone masterpieces ever created and quite possibly the greatest pair of pietre dure tables in existence. With their naturalistically rendered flowers and birds, these tabletop panels showcase the particularly fine quality craftsmanship of the Grand Ducal workshops in Florence during the first quarter of the 17th century. Grand Duke Ferdinando I de Medici, one of the most important personages in the annals of art history, established the Grand Ducal Workshop in 1588. The workshop specialized in the art of pietre dure developed from the ancient art of opus sectile, giving rise to the most luxurious and detailed examples of hardstone artistry ever produced. Its patrons were the Popes and Royals of Europe, and the quality of the objects produced in the workshop is without equal. Typically, because of the high level of workmanship the art form requires, pietre dure plaques were crafted in small sizes. The great majority of known examples of pietre dure are a fraction of the size of our grand tables. The combination of pietre dure and extensive use of other rare decorative hardstones such as lapis lazuli and pietra paesina or “ruin marble” meant that these tabletops were surely produced for a wealthy collector. The tables are further distinguished by their superbly carved bases by Andrea Brustolon, known as the “Michelangelo of wood.” Brustolon was a Venetian wood sculptor known for his exuberant and intricate Baroque furniture. His high Baroque style was influenced by his years studying in Rome, where he was exposed to the sculpture of Gian Lorenzo Bernini. Crafted in the early 18th century, these bases display Brusolon’s unmatched talent for both figural and foliate work, combining cupids, masks and oversized scrolling vines for a grand, ornate effect. Similar furnishings by Brustolon are held in museums worldwide, including the Victoria & Albert Museum, the National Museum of Scotland and the Metropolitan Museum of Art, while the Ca' Rezzonico Museum in Venice features an entire room dedicated to the sculptor. For approximately 150 years, these tables were part of the famed Stoneleigh Abbey collection owned by the Lord Leigh family. This renowned English country estate inspired Jane Austen to write Mansfield Park. Lord Leigh eventually sold the tables at Christie’s London in 1962, and the pair have stayed in the collection of the same Florentine family who purchased them from Christie's until we recently acquired them. Our tables are prominently pictured in the important Saul Levy book Il Mobile Veneziano del Settencento. The pietre dure plaques date circa 1625-1650. The decorative tops likely would have originally been sold with a pair of plain stone columns to display them, and Lord Leigh would have commissioned the custom bases from Brustolon circa 1714 when he added the impressive four-story fifteen-bay Baroque West Wing to Stoneleigh Abbey. A similar single Grand Ducal tabletop is in the United Kingdom’s National Trust Collection, and a smaller tabletop resides in Buckingham Palace. The flower and bird panels in our examples relate to the famous Badminton Cabinet...

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Extraordinary 20th century French Empire style console table. This table is after a design by Jacob-Desmalter. The rectangular specimen top has a beautiful chequered design of hardstones and rare marbles in a variety of colours. The top is supported over an elaborate carved giltwood frame. Four female caryatids support a frieze of finely carved flowing c-scrolls and delicate leaves, with lovely gilt accents throughout. The whole rests on a plinth base with a faux marble panel...

This fine wrought iron wall mounted console table is made up from 18th century parts with early 20th century additions. The 18th-century middle section (see image 6) was probably part of a large wrought iron gate...

Beautiful console table with a specimen marble top and carved mahogany legs. The top is later in date than base.

These tables feature beautiful specimen marble tops which were crafted in Italy in the 18th century. The tops are inlaid with a variety of marble types, cut into diamond-shaped block...

A fine pair of Italian neoclassical style patinated bronze mounted specimen and Carrara marble tables. Each sitting on fluted legs capped by faux capi...

Rare pair of antique specimen marble console tables - featuring a variety of inset marbles and onyx to all sides within a tooled hardwood frame...