Pair of 1920s Neoclassical Style Demilune Klismos Tables

1980's Design Institute of America # 84349 gunmetal gray cocktail / coffee table of classic X form design elements accented with brass medallions with capped legs. Glass top is remov...

A set of 4 early to mid-20th century Neoclassical Revival side or occasional chairs having lyre backrests with scrolled ends adorning hand carved gold gilt flower badges. Gold gilt p...

A pair of Ionic column Burl and Walnut pedestal tables in the Neoclassical style with 1/2" glass tops by John Stuart; circa 1960's. Each table bears the black metal John Stuart tag....

Long Louis XVI style Demi Lune Console table with two pocket drawers accented with carved details throughout, exquisite fiery Mahogany wood grains, resting on five reeded tapered leg...

A fine pair of Russian neoclassical pedestal style demilune end tables or nightstand / commodes. Each of these custom quality demilunes a...

A pair of French neoclassical style painted wood demilune console tables from the 19th century, with white marble tops and fluted accents. Created in France during the 19th century, ...

Russian neoclassical demilune marble top console, sideboard or sofa table having a tortoiseshell Veneer Finish. This stunning and sleek console is...

A Fine Pair of Late 19th Century Demilune Satinwood and Inlaid Side or Console Tables in the Neoclassical Style Attributed to Edwards and Roberts This fine pair of neoclassical-style tables are of demilune, or semicircular, shape and veneered principally in satinwood. Large-scale panels of satinwood have been laid on the carcass of the frieze to give a segmented effect, which is very attractive. The tapering square-sectioned legs and contrasting spade toes are all classic Sheraton design features, being reused here a century later. The most impressive parts of the tables are undoubtedly the beautiful tops, with the central feature being an inlaid fan-shaped patera, centered by a smaller example of the same form with additional penwork foliage on it. This, in turn, centers on a semicircular feathered boss. Around the edge of the tabletops is a wide crossbanding upon which a repeating neoclassical design featuring penwork scrolling foliage and urns is delicately executed and highly attractive. Footnote: The quality of the present tables indicates that they would have been produced in one of the leading workshops of the period. On stylistic grounds, the most likely maker is Edwards and Roberts. Particularly adept at producing furniture in the inlaid Sheraton style, the firm had an elite clientele and, as such, was able to make the finest furniture without cutting corners. For an example of a Carlton House table...