19th Century Gilt Bronze Mounted Exhibition Bureau a Cylindre by Henry Dasson

An Exquisite Late 19th Century Louis XVI Style Gilt Bronze Mounted Inlaid Marquetry and Parquetry Bureau a Cylindre The stepped rectangular top with pierced three quarter gallery ab...

An Exceptional Late 19th Century Gilt Bronze Mounted Louis XVI Style Commode By Henry Dasson Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration and ribbon tied foliate wreaths, over three garland-hung cupboard doors each with shelves, flanked by concave corners fitted with a freestanding baluster form column, the sides similarly decorated and standing on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze mounted furniture in the nineteenth Century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...

An Excellent Quality Late 19th Century Louis XVI Style Gilt Bronze Mounted Gueridon By Henry Dasson Henry Dasson The rectangular top with pierced three-quarter gallery, above a single frieze drawer, the sides each mounted with Minerva’s helmet, supported on floral vine bronze mounted tapering legs each headed by flower swags. Signed Henry Dasson 1881 to the bronze mount on the left side. After the very famous 18th century model by Jean-Henry Riesener. This table is an almost identical copy of Jean-Henri Riesener’s original supplied in 1780 for Marie-Antoinette’s cabinet intérieur at Versailles. In the 19th century’s leading ébénistes often reproduced this model, including François Linke...

An Excellent Quality Late 19th Century Louis XVI Style Gilt Bronze Mounted Commode/Server By Henry Dasson Henry Dasson – After Benneman and Stockel The demi-lune grey and white mar...

A Louis XV Style gilt-bronze mounted bureau plat by François Linke. The rectangular top inset with a green leather writing surface with gilt-tooled border, within a gilt-bronze su...

Exhibiting the sought after superior fineness of Francois Linke, this late 19th century petit Bureau a Cylindre or roll top desk is a splendid creation. Mahogany with a deep plum col...

A Fine Bureau Plat in the Manner of André-Charles Boulle Constructed in ebony with arabesque foliate cut brass inlays, with premiere-partie panels set with tortoiseshell grounds and brass inlay work, and having extensive fine quality ormolu mounts; rising from animal paw sabots, mounted with female masks at the shoulders; the apron housing three drawers, with faux drawers to the obverse, the central drawers set with a Bacchic mask issuing foliates, the platform of serpentine form, having a brass guard edge, and inset with a gilt tooled morocco leather. Stamped to the carcass ‘BF’ and ‘Gros’. French, Circa 1870 Denise Ledoux-Lebard’s ‘Le Mobilier Français du XIXe Siecle’. Published by les Editions de l’Amateur, 2000, lists a Benjamin Gros, whose enterprise amalgamated with the noted ebeniste Winckelsen in 1871; Gros had received an honourable mention for his ‘Boulle’ furniture in the Exposition Universelle in 1855. Literature; Le Mobilier Francais (qv) Seymour de Ricci, Batsford 1929 ‘Louis XIV and Regence Furniture...

19th century French kingwood Bureau plat writing desk. Beautiful Louis XV Form. Lacquered Bronze Mounts are original. Grand proportion. Embossed Plum leather.