French Empire Style Mahogany Roll Top Desk with Bronze Gilt Trim

French Empire style (19th Century) mahogany and bronze trimmed 2 drawer table desk with stretcher, griffins, and green marble top.

French Louis XV style 19th century kingwood inlaid veneer desk with inset brown leather top with gilt embossed edge design with a brass top border and brass fluted trim legs and feet.

French Louis XVI-style (19/20th Century) mahogany kneehole desk having a vanity panel front and two pedestal sides with fluted trim containing several lockable drawers under a brown ...

French Louis XVI-style (late 19th/early 20th Century) mahogany writing desk with bronze trim, gilt embossed leather writing top, with pull-out side extensions and 5 front and back dr...

Large cylinder desk in mahogany and flamed mahogany veneer in the Empire style. This secretary with semi-cylindrical flap has eight drawers with pa...

A fine quality Louis XVI style gilt bronze mounted plum pudding mahogany bureau à cylindre after the model by Jean-Henri Riesener. The cylinder opening to six filing compartments an...

A very handsome French 19th century Empire st. mahogany and ormolu Bureau Plat. The desk is raised on straight tapered legs with ormolu sabots and pierce...

Gorgeous 1800s Antique French Empire Style, Mahogany, Gilt, Secretaire a Abattant, Desk!! Antique secretaire a abattant, desk, French Empire style, mahogany, gilt, 1800s, 19th century! This stunning French Empire style marble-top mahogany fall-front desk, 19th century, projecting frieze drawer, with gilt metal crossed sword pulls, turned column supports flanking the fall-front panel, opening to gilt embossed leather writing surface, mirrored interior gallery, over dual cabinet doors, opening to reveal three drawers, above lower apron drawer, approximately 56.5" height 37.25" width, 17" depth. Dominated by Greco-Roman models, the Empire style - spare, noble, massive - had a studied dignity consistent with Napoleonic majesty. The characteristic furniture types were a bit stiff but imposing: their flat surfaces and sharp corners, together with their lack of moldings, produced an effect of grandeur that was not without beauty as per Timothy Corrigan The Empire style was deliberately propagandistic, and embraced what was most monumental in ancient art as suitable analogies to the new French Empire. Napoleon imposed a tyrannical centralization on artistic production, decreeing that it would be subject to control from Paris and overseen by the architects Percier and Fontaine...