Georgian Twin Pedestal Library Desk

Sleek wall-mounted console table of green leather with 2 drawers by Matteo Grassi. Original Italian wall hung green leather clad console table with black interiors. Totally upholste...

Salvator Rosa last 17th century giltwood frame. Internal measurements cm 24 x 32.5 Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa" is the famo...

Sideboard/buffet in mahogany wood, Italian-made from the 1950s On the upper left part, there are two sliding woven rattan doors edged by a dark brown lacquered frame. Also on the upp...

Lake landscape with noble figures by lush plant life, early 20th century, signed and dated Swoboda 1912. Rudolf Swoboda the Younger was a great Viennese artist who lived between the 19th and 20th centuries. Coming from a family of artists, he learned painting techniques in the atelier of his uncle Leopold Carl Müller...

Pair of important Murano glass sculptures known as "Animalier". They represent two small, very nice, ducks. Their expression is irresistible: they almost seem to look at the viewer w...

Beautiful oil on canvas painting depicting a young noblewoman sitting outdoors with a bouquet of flowers in her hand and a cage on the ground, by the great English artist George Lance This painting, never before on the market, comes from a private collection and is beautified by an impressive antique frame in gilded wood, in almost perfect condition. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. George Lance (24 March 1802 – 18 June 1864) was an English painter of still life and portrait miniatures. Lance was born at the old manor-house in Little Easton in Essex. His father was William Lance who had previously served in a regiment of light horse and was at the time of Lance's birth an adjutant in the Essex yeomanry; he later became the inspector of the Bow Street horse-patrol. His mother, Louisa Lucy (née) Constable, with whom his father had eloped from boarding-school, was the daughter of Colonel Constable of Beverley in Yorkshire. Although Lance showed a predilection for art at a very early age, he was placed, while not yet fourteen, in a factory in Leeds. However, the work injured his health and he returned to London. Wandering one day into the British Museum, he casually started a conversation with Charles Landseer, who happened to be drawing there. On learning that Landseer was a pupil of Benjamin Haydon, he went early next morning to that painter's residence, and asked to become a pupil. Haydon replied that if his drawings promised future success he would instruct him for nothing. Not many days later Lance, still not yet fourteen, entered Haydon's studio, and remained there for seven years, at the same time studying in the schools of the Royal Academy. While designing a picture inspired by Homer's Iliad, he decided, before putting on the colours, to paint some fruit and vegetables as practice. This work attracted the notice of Sir George Beaumont, who purchased it, and this success led him to paint another fruit-piece, which he sold to the Earl of Shaftesbury. He then painted two fruit-pieces for the Duke of Bedford...

Andre Sculptural Modern Twin Pedestal Desk in Exotic Solid Wood from Costantini Named after the eponymous artist, the Andre Desk's rectilinear form allows nature's beauty to take center stage. Available in any species of wood or finish and in custom sizes. Measurements are 65" L x 36" W x 30" H as shown. Finish Options: Solid woods and veneers Custom sizing, materials, and finishes available. About Costantini Design Costantini is a furniture design and manufacturing company founded in 2002 by artist and designer William C Stuart. The name Costantini comes from his maternal grandfather, a first generation Italian-American. Born in New York City and raised upstate, William majored in studio art at Colgate University with a year abroad in Paris, graduating with honors. In 2001, he traveled to Buenos Aires and fell in love with the culture and craftsmanship instantly. He designed his first collection soon after and opened an art and design gallery in Los Angeles. A decade later, he came home to New York and now has a studio in the famed West Chelsea Arts Building where his works blur the lines between art and functional design. The team of artisans continue to produce the majority of the furniture in Argentina. Aside from private collections, some notable public projects include the Hotel Bel Air, the Sultanate of Oman, Bergdorf Goodman, NoMad Hotels...

We are delighted to offer for sale this Lovely Yew Wood Georgian Style Directors Twin Pedestal Desk. The desk still has the original aged inlaid green le...

We are delighted to offer for sale this sublime original George III circa 1820 lightly restored metamorphic library desk / writing table which converts into a library bookcase ladder Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price This is an important and sophisticated piece of English Georgian furniture. Every discerning gentleman’s library should have one. They were the height of elegance and technology in the Georgian to early Victorian era The one is a very fine, restored example, the steps are hidden inside the main frame, when folded this is a lovely English writing table with green leather top, when unfolded it becomes a tall library bookcase...

A superb antique Victorian period pedestal desk. This was made in England, it dates from around 1860-1880. It is of fantastic quality and has a lovely design. The top has an inverte...

A fabulous 19th century fruitwood library table desk finely hand carved with gorgeously rich grain and patination. The moulded top of rectangular form raised over scalloped frieze ab...

We are delighted to offer for sale this very rare and extremely important hand carved walnut fully stamped library table by Angiolo Barbetti of Firenze What a find… this table is by one of the finest Italian carvers of all time, dating to circa 1860, Barbetti’s works sell in the hundreds of thousands, they are highly collectable, impossible to find and when they do come up for sale they usually end up in museum collections, they are simply that good This is an Italian carved walnut library or centre table, the cartouche shaped top with gadrooned edge and leather inset, the carved and pierced frieze incorporating a central shell motif flanked by scroll motifs with swags of flowers, each conforming cabriole shaped leg incorporating similar motifs and joined by an X-stretcher centred by a seated cherub, on scroll carved feet, the underside with branded stamp 'BARBETTI, FIRENZE' What more can I say! The condition is period correct and very fine, we have cleaned waxed and polished it from top to bottom, it is in gallery ready order throughout Dimensions: Height 82.5cm Width 142cm Depth 76cm Please note all measurements are taken at the widest point Angiolo Barbetti (1805 - 1873) was a skilled carver, designer and decorator, with a flourishing atelier in Florence during the nineteenth century. After working in his father Massimiliano's atelier in Siena, he took up an apprenticeship with Giovacchino Guidi (d. 1842), considered one of Siena's finest ebenisti. By 1826-7, he had established a workshop on the Piazza San Giovanni, Siena and in 1830 exhibited his first works at the Istituto delle Belle Arti, Siena. In 1842, Barbetti moved his workshop to Florence, establishing himself near the ponte alle Grazie. Important commissions from this period included carvings for the interiors of Villa San Donato for Prince Anatoly Demidoff. Barbetti took part in many of the international exhibitions of the second half of the nineteenth century, including the 1851 Great Exhibition in London, where he was awarded a medal for a suite of carved walnut furniture. Following the exhibition, the suite of furniture was purchased by the South Kensington Museum, now the Victoria and Albert Museum, where it remains today. Joined in the business by his four sons Rafaello, Egisto, Ottavio and Rinaldo by the beginning of 1860, the firm of Barbetti continued to find international success exhibiting successfully at the 1861 Florence exhibition, the 1867 Paris Exposition Universelle and the Vienna Exhibition of 1873. Makers Bibliography: Meyer, Jonathan, Great Exhibitions: London, New York, Paris, Philadelphia, 1851 - 1900, Antique Collectors Club (Woodbridge, UK), 2006, p. 41. Simone Chiarugi, La bottega di Angiolo Barbetti a Siena e Firenze , in C. Paolini, A. Ponte and O. Selvafolta, Il bello ritrovato , Novara, De Agostini, 1990, pp. 220 223. Simone Chiarugi, La fortuna...