Parsons Style Writing Desk Marked John Stuart

High style 1970’s writing desk, of stunning zebra wood veneer, on an architectural bright chrome frame. The rectangular wood element features three pull out drawers, it is 5 in. H. T...

Stunning midcentury, Hollywood Regency, Post Modern design writing table, desk, made by Drexel as part of their Index series, possibly designed by Milo Baughman, circa 1960/1970s. T...

Six chrome and white vinyl dining chairs, two-arm, four-side. The vinyl upholstery shows signs of wear from use. Dimensions in listing are for...

Super slick and sophisticated wardrobe by John Stuart, for Widdicomb circa 1960/1970s. The armoire features four leather fronted doors which open to reveal interior drawers, and a me...

Chic burl Parsons style console table made by John Widdicomb, circa 1950-1960s. The table originally had many leaves which enabled it to function as a dining table, they are no longe...

Stunning wall unit having rosewood cabinets with white Formica surfaces, brushed metal trim, and tinted glass shelves. Impressive three bay unit, having storage cabinets, drawers and...

A timeless vintage piece, this midcentury writing desk feels glamourous, manufactured for John Stuart Inc. Adorning its exterior of glossy black lacquer, paired with bright brass acc...

A magnificent and very rare Régence style marquetry inlaid grand bureau plat or writing desk. Inscribed to the carcass 'Moreaux 72'. Dating from the second half of the nineteenth century this magnificent and very rare bureau plat has finely cast rocaille gilt-bronze mounts and is decorated overall with truly breath-taking seventeenth century marquetry, depicting fantastical townscapes, knights, soldiers, hunting and architectural-scenes. Of serpentine rectangular form the top is veneered with superb marquetry panels within a foliate scrolled border and a rocaille shell-cast gilt-bronze surround, both sides featuring a recessed central drawer flanked on each side by a drawer applied with male and female terms, scrolled handles, and reserves with conforming drawers; the bombé sides are centred by foliate scrolls, and the whole raised on cabriole legs headed by cartouches with foliate entwined chutes terminating in scrolled sabots. Of impressive scale this fine bureau plat, in the manner of a partners desk, features working drawers to each side. This model of bureau plat was made by a small number of celebrated Parisian cabinet makers in the second half of the 19th century including Beurdeley, Cremer and Befort Jeune. It is incredibly rare to see this model of bureau plat inlaid in marquetry. The exceptional quality and style indicate the use of older reused marquetry, almost certainly dating from the late 17th century and originating from the Augsburg region of Germany. Similar models but lacking the exceptional marquetry inlay can be found in the collection of the Duke of Buccleuch at Bowhill, and the Earl of Normanton at Somerlely. Christopher Payne notes that the latter was part of a pair sold by the London dealer Toms & Luscombe in 1871. He illustrates the present bureau plat in his book ‘European Furniture of the 19th Century’ (p. 88-89), along with two related desks minus the marquetry inlay (p. 92 -93). The exceptional and highly complex marquetry inlay and intarsia work, that sets this important bureau plat apart from other extant examples, would originally have formed the decorative panels of a late 17th century table cabinet, almost certainly ascribable to the Augsburg region of Germany. Augsburg emerged from the middle of the 16th century as the German centre of luxury cabinet making for the international market. In particular, the development of marquetry contributed to this prominent position, favoured by the ready availability of indigenous woods and the reputation that Augsburg had the best craftsmen able to cut thin layers of veneers in the most intricate motifs (C.S. Wood, ‘The Perspective Treatise in Ruins: Lorenz Stöer, Geometria et perspectiva, 1567’, Studies in the History of Art, no. 59, p. 246). Table cabinets, conceived as a form of Wunderkammer or cabinets of curiosities, were intended as repositories for all manner of wondrous and exotic objects and by the 1550s the grandest cabinets in Europe were being made in Augsburg. Decorated almost entirely with sumptuous marquetry, often depicting perspective views of ruins and fantastical townscapes, they become by the 1590s highly regarded as important diplomatic gifts. Fine Augsburg marquetry panels remained popular throughout the ages and were frequently re-used to create or embellish new items of furniture, such as this magnificent bureau plat. Their inclusion was not only for their highly decorative appeal, but to contemporary eyes, a means by which to imbue a new creation with a sense of true historical authenticity. The importance of such panels is often reflected in the high cost involved in repurposing them. A fine example of this is the celebrated 17th century cabinet on stand...

A classy mid-20th century French Hollywood Regency style writing desk. The desk is made of solid mahogany and has one large drawer standing...

Midcentury French Provincial style console sofa table by John Stuart. Base features a white painted finish with curved cabriole legs and one single drawer. Top is stained wood. Table could also be used as a long desk.

Vintage Mid-Century Modern secretary/ wall unit cabinet in the John Stuart's Janus Collection Style. Circa 1960s Features a pull-out writing shelve surface hidden by a false front d...

Antique Louis XV style bureau plat writing desk, rosewood and Ormulu mounts, raised on cabriole legs. Tooled leather top. Dimensions: 43” W x 31.5” H x 25.5” D Side drawers (2): ...