Pierre-Paul Montagnac Desk and Stool

French Modernist Art Deco piano and bench by Pierre-Paul Montagnac, a variant of the model used in one of the luxe apartments, the Caen, on the great French oceanliner Normandie in 1935. Created in rosewood and sycamore, and carefully and correctly restored, including the fine Erard (#127208) instrument. 56” wide x 60” deep. Documented in numerous sources, including the July 1935 issue of Art et Decoration. Pierre-Paul Montagnac (1883-1961) Born in Saint-Denis, France on 9 May 1883, Pierre-Paul Montagnac was equally talented as a fine artist and a decorative artist. He was educated in both disciplines, studying with Eugene Carriére as well as at the Académie de la Grande Chaumiére, both in Paris. His inaugural exhibition was at the 1912 Salons – and at the 1920 Salon d’Automne he received a traveling scholarship. In 1918 he began working in the firm of André Mare and from 1922 collaborated with Maurice Dufrene at La Maîtrise, the famous design studio of Galeries Lafayette. From 1921 he exhibited at the Salons of la Société des Artistes Décorateurs, Salon des Architectes Modernes, and internationally, in Barcelona and Leipzig. He designed suites on the grand French oceanliners, l’Atlantique, Normandie and Pasteur. At the 1925 Paris International Exposition his work was in a standout class. At the 1937 Exhibition he organized the pavillion of the Artistes Decorateurs and personally won a Grand Prix. For the New York Exhibition in 1938, he was a member of the international jury, organized the group of Decorators, and, as architect, organized the exhibitions of jewelry and perfumes. He became a member of the Society of Modern Architects and executed important and numerous architecture and decorating projects including the luxury apartments on the great French oceanliners l’Atlantique, Pasteur, and Normandie. Vice President and then President of the Societe des Artistes Decorateurs from 1930-1938, he was also President of the Salon d’Automne and Vice President of the Committee of the Exhibition of Arts and Embellishments of Life; member of the steering committee of C.T.I. and Artistic Property, member of the Board of Directors of the Central Union of Decorative Arts. He was also an Officer of the Legion of Honor and received the Cross of War. MONTAGNAC was the son of an engineer and he had a taste for geometry and science that predisposed him to the rigors of architectural laws. Multi-talented, he worked independently as a painter – who had paintings acquired by the French government – while also working in the related fields of architecture and decoration. His work included homes, apartments, galleries, luxury shops, banks and the aforesaid oceanliners. As a designer/decorater, Montagnac had the taste for quality, luxurious furniture, using precious woods, bronze extensions, ivory inlays, mother-of-pearl, metal and coral. He advocated for a resolutely modern style and, free of all pastiches, focused on beautiful cabinetry, the challenges of furniture design, particularly from 1940 to 1945, captured all his attention. The tireless activity of Montagnac, whose varied works are represented in official museums and residences, was also recognized from a professional and social point of view. He was a remarkable organizer, devoted to the cause of art, to the defense of the trade and his colleagues. It was Montagnac who, in 1939, with Anatole de Monzie, took the initiative to found the ENTRAIDE to Artists (which provides support to talented young French artists). MOBILIER ET DECORATION, September/October 1953 ERARD An illustrious piano manufacturer, Sebastien Erard began building superior harpsichords in Paris in the mid-1700s, produced pianos for the French Court, and received a multitude of patents, many of which are still in use in piano manufacturing. Erard pianos were marketed as the finest pianos in the world and were owned by Queen Victoria, Franz Liszt, Chopin, Verdi, Ravel, and Felix Mendelssohn among many others. They continued to enjoy international success well into the 20th century. They were known for their unique sound quality, similar to the American square grand piano...

Early Classic French Art Deco dining chairs, set of 4, in sculpted mahogany, circa 1920. Measures: 18" wide x 22" deep x 36" high, seat height 18". Please note that these chairs a...

Belgian Art Nouveau desk and armchair in ebonized oak, circa 1905, in the manner of Gustave Serrurier-Bovy. 72" long x 37" deep x 30" high. The Art...

French transitional (from Art Nouveau to early Art Deco) desk and en suite chair by Leon Jallot in sculpted walnut and walnut burl, circa 1910. This desk ...

Console Art Deco Material: marble and chrome France. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal....

Pierre Jeanneret Desk and Stool from the city of Chandigarh, India 1950 - 1959 Teak Holland and Sherry boiled wool. Desk: 27 H x 31.5 W x 23 D inches Stoo...

One off a kind desk designed by famous couturier pierre Cardin at the end of the seventies. This desk is well known and published in a lot of books and a version a little bit different was used by pierre Cardin himself in his bureau in the Espace Office in Paris. One of these desk are part of the museum Pierre Cardin in Paris. This is most probably a special command made for an French businessman alongside with the coffee table and the dresser and desk chair. The desk is signed also the dresser . A museum piece. It’s in good condition but the black glossy surface shows some mark of time . Best for me to sell all together. This example is very close to the desk designed in 1971-1973 by Fransesco Bocola for Pierre Cardin’s office (see page 21 of P.C.E.) Published in a similar version page 110 &111 in “PIERRE CARDIN EVOLUTION...

Excellent example of a student desk and library chair from Chandigarh India circa late 1950s. Exceptional patina on the wood including various name inscriptions from young studen...