Regence Style Gilt-Bronze Mounted Parquetry Bureau Plat

A Palatial Victorian Gilt-Bronze Mounted Bureau Plat. This palatial bureau plat is of grand proportions. The top is of serpentine rectangular out-shape and is lined in dark green le...

A Regence style gilt bronze-mounted bureau plat by Zwiener. French, circa 1890. Stamped to the reverse of the bronze mounts 'JZ'. This fine bureau plat has a shaped leathe...

An Empire style gilt-bronze mounted bureau plat by Maison Forest. Paris, circa 1900. Bearing two labels to the underside: 'FOREST/TAPISSERIE/EBENISTERIE/31 RUE CAMBACERES.PARIS...

A Louis XVI style gilt-bronze and marquetry centre table. This impressive centre table is beautifully enriched with cuivre doré mounts. The top has a lozenge pattern parquetry gro...

A late 19th century French Bureau Plat in kingwood and amaranth parquetry with three drawers to one side with gilt bronze decoration all round; notable are the drawer handles modelled with Chinese heads; the two ends decorated with Apollo heads...

C. 19th Century Louis XVI gilt bronze mahogany parquetry bureau plat. Rectangular trellis work above three drawers, with scrolling basket handles and ...

An exceptional and rare late 19th century gilt bronze mounted Louis XV Style Bureau Plat Attributed to Zwiener Attributed to Joseph Zwiener The serpentine case with a rectangular top with gilt-tooled leather writing-surface within a molded border above a quarter-veneered frieze, three drawers to the front and three simulated drawers to the reverse each flanked by a large putto, the sides centered with a fine bronze Apollo mask, the cabriole legs mounted with sea shell bronze designs with foliate-cast sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

Louis XVI style (19th-20th century) gilt bronze mounted 3-drawer bureau plat desk having a center plaque depicting an allegorical putti scene with a gold embossed leather top.