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Stone and Glass "Titan" Computer Desk by Pete Carling, 2005
About the Item
"Titan" computer desk in Portland stone, Turkish Burr Walnut and glass; the lower pedestals, from solid blocks of best quality Portland stone, have been hollowed out to house computer equipment. The mirror-polished stainless steel tubes allow cabling to pass through from inside the stones to the surface and the lower glass shelf slides to allow access to the keyboard.
Please note that that the final product will differ slightly from images due to the unique nature of the wood used and timber variances. Small size differences will also occur.
Pete Carling, son of antiques dealer Roger Carling, first developed his eye for art and design while helping his father set up his stand at the Olympia exhibitions during the 1980s. This awakened a desire to immerse himself in the world of design, which started with a complete re-training in the art of furniture design and production.
A year of cabinet making at the London College of Furniture in 1996 was followed by a three year "Furniture Design and Craftsmanship” degree at Chiltern University which Carling passed with a First and two special commendations
Carling spent the next 12 years working as a cabinet maker and running his own woodworking business, slowly building up a select client-base for whom he made bespoke modern furniture, drawing much of his inspiration from both George Nakashima and Wendell Castle.
He has developed his own specific style which is defined by the use of a variety of both natural and engineered materials. Carling combines these materials in such a way that he successfully displays the beauty of each individual material alongside the greater creation.
Carling is, at heart, an Artist. His medium is furniture and his challenge is to have his unique pieces recognised as art while still retaining their function. We can think of no better application for the term “Functional Art”.
Please note that all Carling pieces will be disassembled prior to shipping and will require reassembly at destination. Full instructions will be provided.
- Creator:Pete Carling (Designer)
- Dimensions:Height: 29.53 in (75 cm)Width: 70.48 in (179 cm)Depth: 27.96 in (71 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2005
- Condition:Wear consistent with age and use. A real statement piece for the home or office.
- Seller Location:London, GB
- Reference Number:Seller: TBA301stDibs: LU8404774843
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Stéphane Ducatteau
Ducatteau is an artist and creator of contemporary furniture working primarily with sheet metal.
Although his furniture is about the aesthetic, he never forgets the functional aspects of his pieces. His approach is sculptural, using a pleasurable mix of ergonomics and curves to generate an emotional, almost sensual response in the viewer.
The metals Ducatteau uses, take on an almost ebony-like effect thanks to the well-worked patinas that he produces, often treating the metal with acids or minerals; each piece is produced to the same rigorous standards that you would expect from someone with the skills of a wrought iron metal worker combined with the impossibly high standards of an artist.
Ducatteau’s background is not what you would expect from an artist, having initially studied engineering. However, over the course of several years he attended evening classes in Paris studying Fine arts (drawing, painting, modelling, glasswork, etc) before obtaining a degree in Art Metalwork.
After working as an engineer in an architect’s office, he made the decision to devote a full year to further training in the art of metalwork as he no longer wished to merely be a disassociated part of the design process; rather he wanted to be the process, involving himself in the entire project from concept to design to final realization of the object.
His work has developed over time, moving from a more decorative style to simpler creations where he has distilled the very basic essence of design into deceptively pure, functional works of art.
A recurring device or theme of his work method is the accumulation or repetition of relatively basic elements whose very repetition creates a rhythm which provides direction for his creativity processes.
Ducatteau worked for several years in Roubaix in northern France out of a collective workshop before settling in Normandy in 2003.
He has a number of exhibitions and fairs under his belt as can be seen below.
Exhibitions
Sept/Oct 2009 TALENTS, SHOW-ROOM
May/July 2009 GALERIE EMEURAUDE, Le Touquet
June 2008 VIA, Paris (exposition des LABELS VIA 2008)
April 2008 VIA, Milan (exposition des LABELS VIA 2008)
Nov 2007 GALERIE LE FEUVRE, séries limitées, Paris
Sept 2006 LA NUIT BLANCHE, Toronto, ROSELAND GALLERY
May/June 2006 MAATGALLERY, Paris
Apr/May 2006 ROSELAND GALLERY, Toronto
April 2006 VIA, Milan (exposition des LABELS VIA 2006)
July/Aug 2005 GALERIE EMEURAUDE, Le Touquet
February 2005 Maison des architectes de Grenoble
July 2004 GALERIS S1LIVRE?, Villerville (14)
December 2003 CARREFOUR DES ARTS, Brecey (14)
Nov/Dec 2003 GALERIE Ateliers d`Art de France, Paris
April 2003 VISIONI, invité au sein de la sélection franaise, Florence
Fairs
2001 onwards MAISON ET OBJET / SCENES D`INTERIEUR, 2 fois par an depuis 2001, Paris
Jan 2005 Salon du meuble, Paris
Dec 2004/5 Design Louveciennes, Louveciennes
Dec 2005 RECUP, Paris
October 2003 HABITER, Jardin des Tuileries, Paris
Dec 2002 Salon des Antiquaires, Jardin des Tuileries, Paris
Dec 2003 Carrousel des Métiers d`art, Carrousel du Louvres, Paris
LABEL VIA 2008, pour JEU DE CARTES...
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