Viennese Art Nouveau desk with armchair Hans Bolek August Ungethüm 1913

Desk, Matthias Feller (design), M. Ballin München (manufacturer), ca. 1912 marked twice with "M. Ballin München"; bib.: "Innendekoration - mein Heim, mein Stolz", 1912, S. 200. tec...

This exquisite desk was made by the furniture factory August Knobloch's Nachfolger. In the period around 1900, the cabinetmaker's factory belonged to the circle of Vienna's most impo...

Technique: spruce; swamp oak veneer, stained and semi-matt polished The furniture in this extraordinary study was designed in 1913 by Hans Bolek, an extremely talented student of th...

Technique: Solid maple frame, stained solid cherry wood top, stained red-brown and dark brown ornamentally, curved frame end at the bottom This elegant Secessionist side table was c...

Features: Style: Art Nouveau / Jugendstil Material: Carved wood Origin: Germany, circa 1910 Sculptures: Elegant floral carvings Functionality: A large drawer and two niches / booksh...

The set includes, armchair, desk and desk accessories. It is from the first era. Bibliography: Revue de l’Art N°185 – March 2014, p. 23. Founded in 1857 by Gustave Keller, the Keller...

Art Nouveau Table or desk from Gebrüder Thonet, 1910s Art deco - Palmette - Table - Model 8122 Measures : 91.5 x 61cm H:78cm Table top has some defects visible in photos Country of O...

Eugenio Quarti (Desk , chair and Trash ) Style: Liberty or Art Nouveau or Modernism or Jugendstil Furniture realized mainly in inlays of nacre and metallic applications, parchament bronze ferrules. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we are at your disposal Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Eugenio Quarti was born in Villa d'Almè, a small village in the province of Bergamo, from an artisan family of woodworkers. In 1881, at the age of 14 years old he goes to Paris, where he will learn new techniques and broaden his horizons. In 1886, he returned to Italy and settled in Milan where he worked, for a short period, with Carlo Bugatti and then open his own workshop in via Donizetti 3. His early works are strongly marked by Bugatti Moorish’s style, but already the exhibition of Turin of 1898 you can see the first signs of Art Nouveau and his personal style. He was always attentive to the quality and originality of his accomplishments, always attentive to every art form. Furniture realized mainly in walnut with inlays of nacre and metallic applications. Develop over time a harmonic elegance of the decor, with thread-like grounds, valuable wood species and inlays and high quality bezels with fine materials (nacre, silver, copper, bronze, pewter, etc.), this characteristic was called "the goldsmith of furniture makers." In 1900 he participates at the Paris International exposition where he received the "Grand Prix" of the jury. Will participate in a number of other exposures as that of Turin in 1902 and Milan in 1906 where he will receive the "Grand Royal Award" and the "Diploma of gold medal". Eugenio Quarti worked with the most prestigious architects of his time (Giuseppe Sommaruga, Luigi Broggi, Alfredo Campanini, etc.) well as with the great artists/craftsmen of his time as Alessandro Mazzucotelli. He also worked as a decorator, designing entire furniture for both public and private buildings. It was he who designed the furniture for Palazzo Castiglioni in Milan, Villa Carosio in Baveno, Grand Hotel and Casino in San Pellegrino Terme, Hungaria Palace Hotel in Venice Lido. One of his most significant works were the vessels of the "Bar Camparino", at the entrance site of the Galleria Vittorio Emanuele in Milan. however not disdain also committed less important such as the furniture for Villa Mariani to Bordighera residence of the painter Pompeo Mariani...