Acrylic Lucite Dining Set, Table and Champagne Chairs by Erwin & Estelle Laverne

This majestic Italian marble pedestal table, defined by bold geometry and elemental poise, stands as a sculptural anchor in any refined setting. The design features two robust black-marble pedestals—each crafted with inherent veining that whispers of natural dynamics and geological depth—positioned with tailored flexibility: they can be placed closer together for an intimate feel or spaced apart to create a dramatic, architectural stance. In its versatility, the piece can transform gracefully from dining table to console table, adapting effortlessly to stylistic or spatial needs. A substantial half-inch-thick glass top floats above the pedestals with beveled edges that capture and throw light, casting luminous reflections beneath. The transparency of the glass harmonizes with the solidity of the marble, allowing the interplay of form and weight to remain visible from every angle. The glass’s restraint highlights the pedestals’ sophistication without overwhelming the design narrative. Natural wear is modest—a few gentle nicks at the marble corners—infusing the piece with character rather than diminishing its presence. The marble, polished to a sheen, still resonates with tactile luxury, while the clean transparency of the glass preserves a modernist clarity. This table transcends mere functionality—it is an architectural statement in stone and light, a post-modern interpretation of solidity and transparency. It brings to mind the legacy of pedestal design where form and utility unify seamlessly, though reimagined here with dramatic scale and material opulence. Collectors drawn to sculptural gravitas, material elegance, and flexible design will find this piece irresistible. It stands ready to elevate fine interiors, offering both presence and narrative depth—an investment in ambiance as much as in form. Vintage 1980s black and white Neo Deco dining set. The luxurious black marble pedestal base features striking white veins and fields of mystical taupe-gray. It’s almost as if a thunderstorm was captured in stone. Dynamic white bands streak through the blackness like lighting bolts in a storm darkened sky. The 1980s enjoyed an Art Deco revival which came to be known as “Neo Deco.” This dining set is a prime example of the Neo Deco zeitgeist. The graduating arches on the chair backs emulate The Chrysler Building’s crown… an Art Deco architectural icon. The marble base’s silhouette is also informed by Art Deco architecture. The table has been updated with a newer 48″ diameter round glass top. No worry of stains on these vintage white seats. The previous owner was meticulous. In fact, the chair seats were still covered in the original plastic when we acquired the set. The base itself is a work of art, beautifully exhibiting the tenants of post-modern design. It is both decorative and simple. The designer has arranged slabs of sumptuous black marble in descending size, emanating from the center. This array of slabs cumulatively form a diamond shape when viewed from the top. The dramatic, high-back, chairs have a glossy lacquer finish that captures the same sheen as the stone pedestal table base...

Step into a world where function becomes sculpture. This captivating dining table, sculpted from crystalline Lucite, commands presence through its transparent minimalism and architectural finesse. At its visual core, a diamond-shaped acrylic prism—impeccably faceted—catches and fractures ambient light, transforming each ray into a shimmering visual performance, as if the table itself were alight from within. Rising from its pedestal base composed of intersecting acrylic planes, a 54-inch diameter tempered-glass top crowns the piece. Its beveled, polished edge enhances the sensation of a floating orb—an optical marvel suffused with both lightness and solidity.The structure measures approximately 29 inches high, with the base itself at 28.5 inches tall and a form that balances both sturdy support and visual subtlety. The craftsmanship—while not attributed to a signature designer—recalls postmodern luminaries, akin to Charles Hollis Jones prototypes, where acrylic becomes both structure and spectacle. In natural or gallery lighting, the prism center dances—refracting and echoing each surrounding tone, making the table not merely a surface, but a choreographed experience in transparency. Though vintage wear is present—light scratching on the glass and minor signs upon close inspection of the Lucite—these blemishes speak to the table’s lived history, adding character without undermining its elegance. This table is ideal for collectors drawn to objects that blur the line between art and utility, for designers seeking sculptural showpieces that anchor a room without weighing it down, or for architectural interiors aiming to turn dining into an act of curated light and space. This listing is for the table alone. The chairs are sold separately. Post Modern clear acrylic pedestal dining table with round glass top. The clear acrylic diamond prism center sparkles like a gem! It’s this magical transparent quality that makes Lucite so desirable. The diamond prism perfectly captures the dynamic optics of Lucite. Place this table in front of a large window...

Exuding bold elegance and unapologetic mid-century charm, this four-piece dining ensemble encapsulates 1970s modernist glamour. A quartet of sculptural Daystrom “scoop” chairs—sinuously molded and deeply tufted—embraces the body while radiating visual sophistication. The chrome frames, sleek and polished, arrest the light like metallic sculptures set into motion. Upholstered in a deep black tone that flirts with velvet’s lushness and vinyl’s sheen, the chairs merge comfort with refined edge. Nestled atop tapered tubular legs, the seating invites extended evenings of conversation or repose. The generous waist of the scoop offers a gentle cradle—accentuated by tuft details that lend rhythm and tactility. These chairs are as much about presence as purpose: they beckon touch and draw admiration with their architectural silhouette. Balanced against them is a companion dining table exuding a strong modernist pedigree. A sleek smoked-glass hexagonal top rests atop a refined pedestal base, with curved chromed steel branches that bloom outward in sculptural finesse. The glass’s smoky surface softens the brightness of polished metal, creating an interplay of shadow and reflection that shifts with each angle. Together, the set unfolds like a scene in motion—the chairs poised as silhouettes around an arresting glass bloom—inviting you to inhabit them, to dine, to linger in their embrace. Daystrom, established in the mid-20th century, earned acclaim for stylish, well-crafted furniture that transformed chrome and glass into enduring design statements. The tactile grace of these chairs reflects that legacy; they are comfortable, sculptural, and thoroughly resilient. This set is not mere furniture—it is a bridge between 1970s postmodern allure and timeless design integrity. Ideal for collectors and stylists alike, it promises to elevate any space with its kinetic presence, formal ingenuity, and emotive charm. We are pleased to present this swanky dining set. This combo is everything we love about the 1970s aesthetic in one package! The chairs are by Daystrom and the table by Bassett Mirror Company.. Both companies have brought us some fabulous designs in the mid-mod period, and this marriage falls right in line with that legacy. 70's glam meets futuristic modern in this four seat dinette set. The table base is crafted curved tubular chromed steel in a unique and captivating flowering lotus pedestal style. The smoked glass hexagon top is dripping with swag on top of the hand-polished chrome glimmer. This gently used table still has its original hang tag and bumpers for the glass. The deep tufted scoop chairs...

Set of 4 Roped Seat Danish Teak Dining Chairs, Model 78 by Niels Otto Møller, 1960s A stunning set of four Danish modern teak dining chairs, Model 78, designed by Niels Otto Møller ...