Art Deco Dining Extendable Table / Gondola Table, Paris 1920s, Walnut.

We are delighted to offer for sale this lovely circa 1920’s Art Deco walnut extending dining table. A very good looking and expertly crafted table, it has hidden inside the frame ...

Very nice table from the Art Deco period, circa 1920. The table is made of walnut and can be extended. The table can be extended by 3 x 33cm (max 210cm). If the table is extended, ad...

Imposing oval Art deco table in solid rosewood. The base is shaped and covered in flamed portions in solid rosewood, the oval columns are grooved, where three arms support the top, a...

Square extendable Art Deco dining table with two-burl walnut pedestals and two hidden leafs to make it a large table The table has ...

Dissociative:191 cm / 75.2″ This elegant extendable dining table, designed in the Art Deco style, comes from Czechoslovakia from the early 20th century. Made of walnut veneer, it im...

This is a beautifully crafted blond walnut extending dining table from the 1930s. It features two pull-out leaves, each extending the table by 27 cm, making it both practical and ele...

The mahogany dining table from the 1920s is a timeless piece of furniture that exudes elegance and sophistication. Crafted from high-quality mahogany wood, this table boasts a rich ...

Art Deco; Extendable; Dining Table; Dining Chairs; John Van Zeeland; Belgian Design; Modernist Style; Belgian Architecture; Listed Building; Heritage;...

1930s Art Deco extendable table by Atelier di Varedo, Gaetano e Osvaldo Borsani, in burl walnut polished to wax Measures in cm: W 140+80 D 92 H 80. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal...

The focus on the essentials determines the form and function of Tak. Three simple, intuitive steps are all you need to operate the revolutionary extension. The uncompromisingly slim ...