Dining table by Gerard Guermonprez for Magnani, 1958

Wardrobe designed by French designer Gerard Guermonprez in the fifties Magnani has edited it Structure in oak with grey leather parts 3 doors and 3 drawers in front 3 drawers inside ...

Dining table by Charlotte Perriand for the ski resort: Les Arcs Circa 1950 All in pine Iconic model

Gerard dining table by Thai Hua Dimensions: D 280 x W 122 x H 75 cm Materials: oak wood. Dining table made of natural white oak. Thai Hua is an Industrial designer originally...

This rare and important model #VK-201 sculptured Rosewood and Walnut 'Round Extension Dining Table' by Vladimir Kagan for Kagan-Dreyfuss was designed in 1958, this example produced between 1958 and 1960, during Kagan's partnership with Hugo Dreyfuss which ended in 1960. This rare example is stamped with the Kagan-Dreyfuss branded marks on the underside of the table and under one of the two leaves, and serves as an important early example of this sought-after design, perfect for collectors, art and design investors, and interior designers working on high profile projects. This Model VK-201, described in Kagan's early catalogues as a 'Round Extension Dining Table in walnut with rosewood top' has Kagan's signature gorgeous sculpted legs in solid walnut along with a magnificent vivid-grained Rosewood top. Just look at the closeup photos of the sculpted edges and tailored legs... this table looks more like a sculpture than merely just furniture. Quality of materials and craftsmanship you don't find in todays products - this table is the epitome of the saying 'they don't make them like they used to'. Ultra refinement in this gorgeous collectors piece which extends from a dining or card / game / cafe table seating for four, to a larger dining or meeting table suitable for eight. With no leaves - the table is 48" round and with both leaves extends to 96" while retaining a very nice 48" width. Vladimir Kagan's works have been highly valued by collectors and art / design investors, and his earlier works in the 1950s partnership with Hugo Dreyfuss (Kagan-Dreyfuss from 1950 to 1960) are among the most sought after by 'purist collectors' like myself. Why do I prize his 1950s works above all else? I can write a short book on this, but one easy to explain reason is that this was a period unlike the rest of his career, where items produced in this time are hallmarked within that period - a distinction that his later works lacked. Essentially, everything post the early 60s blended together with the decades thereafter. A novice Kagan collector is content with anything by Kagan, even items produced by Directional and American Leather Company...