French Renaissance Table said "à l'italienne"

Excellent state of condition This table has a movable top and supports as did the models from the Middle Ages, and yet presents a decorative dimension characteristic of the Renaissance furniture, which the riche and most inventive type was the “fan-shaped” table, probably coming from Italy. The central pilaster represents a term enriched by a foliage motif, including a laurel-crowned femal face on the first support and a male face on the second one. The high quality of this embossed work adds a touch of sophistication. Noteworthy, we can see on the backside of the fan-shaped supports, the same patterns as a lower relief, an extremely rare occurrence. This Ceremonial Table can be moved, and can be used following the occasions , like a small dinner or a grand reception for exemple. We can admit that this table with a movable top and fan shaped movables supports is the single model known today. Furthermore the richness of ornamentation, the carefulness and high quality of the sculpture denote that this table has its origin in Hugues Sambin...

In the beginning the table was a movable furniture with removable feet, easy to build and disassemble. Most of the 15th and 16th century tables are built following the Roman cartibula principles that is a plate standing on two large stands secured by a crossbar. The lengthy and elegant plate of this Italian Renaissance palace table...

RARE RENAISSANCE TABLE WITH FIXED TOP ORIGIN: FRANCE PERIOD : SECOND HALF OF THE 16th CENTURY, c. 1560-1580 Height: 87 cm Length: 158 cm Width: 78 cm Walnut wood Good condition...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

This particular type of table was invented by 16th century Spanish cabinetmakers. This elegant table can easily be taken apart. Its rectangular top is assembled to the legs with i...

Provenance : Chabrières Arlès collection then through descent Under the reign of Henry II, during the French Renaissance, the rigour of composi...

Guillerme et Chambron, waxed oak table. " A l'Italienne" model. Edition Votre Maison 1965 318 cm long with the leaves.

A rectangular, antique very long Tuscan Renaissance dining room table made of hand crafted Walnut, in good condition. The top of the Italian center table has a dark original patina w...

Guillerme et Chambron for Votre Maison, dining table, oak, France, 1965. Dimensions of table with FULL extension is 125.5 inches. This extendable dining table in solid oak by French...

Our Yvelines dining table is made out of white oak and finished in a custom paint treatment. Includes 2 18" leaves. Hand built in our Norwalk, CT this table comfortably seats eight t...

This large 1950s French oak dining or hall table features beautifully turned legs with a lower stretcher. Its sturdy construction makes it perfect for daily use, built to withstand t...

Unique piece (special commission). Signed. Made for the Palais des Consuls de Rouen in 1955, this piece is not merely remarkable for its size, but for its blend of contemporary and traditional elements. André Arbus, one of the foremost French designers of the early-to-mid twentieth century, was as deeply entrenched in traditional French furniture...