Italian Midcentury Dining Table in Rosewood

Italian Art Deco Dining Table This stunning Art Deco dining table, a true masterpiece of Italian craftsmanship from the 1930s. Adorned with exceptional figured walnut and contrastin...

FRENCH ART DECO DINING TABLE This elegant French art deco extending dining table was crafted in France during the 1920s, featuring a combination of Macassar ebony and mahogany. Supp...

French Art Deco Dining Table in Macassar Ebony This exquisite French U-base dining table, crafted in the 1920s, showcases the elegance of Macassar ebony. Designed to comfortably seat...

FRENCH ART DECO DINING TABLE This exquisite dining table, produced in France in the 1920's, has a unique and sophisticated design that captures the eye. Crafted using high-quality Ma...

This fantastic dining table was designed in the 1960s by Jean Gillon (1919-2007), a Romanian-born architect, artist, and designer who landed in Brazil in 1956. The piece has a solid Rosewood structure, with a veneered top and extensions that comfortably accommodate six to ten seats. Gillon created an extensive and varied production of furniture, drawings, paintings, sculptures, tapestries, costumes, and scenarios for theater. In 1961, he opened his own company to manufacture furniture, Cidam, a company that came to be called WoodArt. In addition to this brand, other Brazilian furniture...

This Italian midcentury teak table attributed to Paolo Buffa 1950, is an example of pure Italian design on the period. The round top is completely in rosewood with spectacular colour...

A 20th century vintage big 8 seater vintage oval dining table composed of a Rosa Portuges pink marble tabletop and a mahogany veneer structur...

This exquisitely crafted dining table, designed by Joaquim Tenreiro (1906-1992) in 1947, evokes a refined coexistence of traditional values and modern aesthetics. Its delicate shapes give the impression that the pieces float in the space. Tenreiro came to see the often heavy, overstuffed pieces that dominated the market as being incompatible with a tropical country like Brazil. He promoted furniture that was formally light, as described in his own words: “Lightness, which has nothing to do with the weight per se, but with grace and functionality in space.” Our pieces present original stamps of Tenreiro Móveis e Decorações...